{"data":[{"id":"231","date_start":"September 6, 2011","title":"Los Angeles, here we come!","photo":"\/files\/news_items\/laoffice_thumb.jpg","body":"<img src=\"\/files\/news\/industry\/laoffice01.jpg\" mce_src=\"http:\/\/www.theatreprojects.com\/files\/news\/industry\/laoffice01.jpg\" alt=\"\" height=\"225\" hspace=\"\" align=\"\" border=\"\" vspace=\"\" width=\"550\">\r\n\r\n<p>We've just opened our first office on the west coast - but don't call us newcomers! We've been working here for 30 years, and we're thrilled to now have a permanent home in Los Angeles.\r\n\r\n<\/p><p>You've probably run across some of our more visible west coast projects, like the <a href=\"\/projects\/item\/*03\" class=\"lightwindow\" mce_href=\"\/projects\/item\/*03\" params=\"lightwindow_width=820,lightwindow_height=636,lightwindow_type=external\">Walt Disney Concert Hall<\/a> and <a href=\"\/projects\/item\/*82\" class=\"lightwindow\" mce_href=\"\/projects\/item\/*82\" params=\"lightwindow_width=820,lightwindow_height=636,lightwindow_type=external\">Kodak Theatre<\/a>. But if you look around, you'll see that our west coast work represents our practice as a whole, including regional theatres, university work, small-scale projects, performing arts centers, and renovations.\r\n\r\n<\/p><p><img src=\"\/files\/news\/industry\/laoffice02.jpg\" mce_src=\"http:\/\/www.theatreprojects.com\/files\/news\/industry\/laoffice02.jpg\" alt=\"\" height=\"200\" hspace=\"\" align=\"\" border=\"\" vspace=\"\" width=\"550\">\r\n\r\n<\/p><p>We design and plan performance spaces of every size and complexity, and we offer a broad range of services from auditorium and theatre equipment design to operations and business planning. As designers, managers, technicians, and performers, we know first-hand how these buildings should work from the inside.\r\n\r\n<\/p><p><img src=\"\/files\/news\/industry\/laoffice03.jpg\" mce_src=\"http:\/\/www.theatreprojects.com\/files\/news\/industry\/laoffice03.jpg\" alt=\"\" height=\"200\" hspace=\"\" align=\"\" border=\"\" vspace=\"\" width=\"550\">\r\n\r\n<\/p><p><b><span style=\"color: rgb(204, 0, 0);\">Meet our Los Angeles team<br><\/span><\/b><\/p><p><b>Michael \"Looking Forward to Food Trucks\" Ferguson\r\n<br><\/b><a href=\"http:\/\/www.theatreprojects.com\/people\/staff\/profile\/35\" target=\"_blank\" mce_href=\"http:\/\/www.theatreprojects.com\/people\/staff\/profile\/35\">Michael<\/a> is the director of our new Los Angeles office. He joined Theatre Projects in 1998 and since 2006 has been splitting his time between Theatre Projects and his own theatre planning and design firm, Theatre Strategies Group. We're excited to have Michael back on board full-time to lead our Los Angeles office. \r\n<\/p><p>Born and raised in California's Central Valley, Michael worked throughout California before ending up in San Jose, where he worked as the lighting director and assistant production manager for the San Jose Repertory. As the Rep's assistant project manager for their new theatre, Michael was introduced to and later hired by Theatre Projects. His design and production experience includes theatre, dance, performance art, circus, and live musical concerts in over 130 theatrical venues nationwide. Michael's current work in the arts includes an on-going production collaboration with musician\/producer\/author Stephen Wade and lighting direction for San Jose Taiko.\r\n<\/p><p>\"I'm really excited about opening our new LA office. This has been a goal of both Theatre Projects and mine for years, and it feels great to see it come together. For the past decade almost a quarter of our work has been in the US west and southwest. By opening this office, we have the opportunity to service and support those projects better. And besides, how do you not want to live in a place where some of the best food in the city comes off the back of a food truck?!\" said Michael. \r\n<\/p><p><b><b>Keith \"The Architainer\" Gerchak\r\n<br><\/b><\/b>Both a working actor and a registered architect, <a href=\"http:\/\/www.theatreprojects.com\/people\/staff\/profile\/37\" target=\"_blank\" mce_href=\"http:\/\/www.theatreprojects.com\/people\/staff\/profile\/37\">Keith<\/a> has been an essential member of our design team since 2004. He recently moved from New York to Los Angeles to continue his acting career.  \r\n\r\n<\/p><p>Before joining Theatre Projects, Keith was a project director at the theatre architectural design firm van Dijk Westlake Reed Leskosky. Keith has performed in over 75 venues across the country, in roles ranging from Marlin in Disney's <i>Finding Nemo<\/i> the Musical to Motel in <i>Fiddler on the Roof <\/i>opposite Paul Sorvino. He frequently contributes articles on theatre design and sustainability issues. \r\n\r\n<\/p><p>When asked about our new Los Angeles office, Keith said, \"My first reaction was, 'Wait, we don't already have an office in LA?  I moved out here almost 2 years ago, thinking we did!'  In all seriousness, with an already extensive catalog of high-profile projects, a veritable who's who of architectural and acoustic collaborators specializing in performing arts centers, and an increasing demand for venues in the cultural and entertainment capital of the western US, the time and place are right for this office. Plus, the commute beats flying back to South Norwalk!\"<b><b>\r\n\r\n<\/b><\/b><\/p><p><b><b><b>Benton \"I Left My Heart in San Jose\" Delinger<br><\/b><\/b><\/b>A director of Theatre Projects and one of our most experienced theatre consultants, <a href=\"http:\/\/www.theatreprojects.com\/people\/staff\/profile\/14\" target=\"_blank\" mce_href=\"http:\/\/www.theatreprojects.com\/people\/staff\/profile\/14\">Benton<\/a> will split his time between our Connecticut and Los Angeles offices, working closely with Michael to develop our relationships on the west coast. \r\n\r\n<\/p><p>Having grown up in California, Benton moved to Connecticut in 1998 from San Jose where he had spent eight years as the production manager for the San Jose Repertory Theatre. While at the San Jose Rep, he collaborated with Theatre Projects as the Rep's project manager during the design and construction of their new facility. \r\n\r\n<\/p><p>\"The LA office is great for Theatre Projects. The California arts scene is wonderful and rich, with so many different cultures adding flavor and transforming their communities.  I'm very happy to be able to have an office so close to where I grew up and cut my teeth in theatre...did Michael say something about food trucks?\" said Benton. <\/p><p>\r\n\r\n\r\n<b><b><b><\/b><\/b><\/b><b><span style=\"color: rgb(204, 0, 0);\">Our new Los Angeles home<br><\/span><\/b><\/p><p>Our Los Angeles office is on the top floor of the historic <a href=\"http:\/\/springartstower.com\/\" target=\"_blank\" mce_href=\"http:\/\/springartstower.com\/\">Spring Arts Tower<\/a>, located in the city's Gallery Row regeneration district. Once home to the Citizens National Bank, the building now provides office space for more than 100 creative companies and independent artists, including designers, architects, photographers, and painters.\r\n\r\n<\/p><p>We're excited to become a part of the developing downtown district. Besides being the home of the performing arts in Los Angeles, downtown is also the center of transportation for the city, so it's a great location for us.   \r\n\r\n<\/p><p>Come visit us at our new home: \r\n<br>453 S. Spring Street, Suite 1230, Los Angeles, California 90013, T 213 375-3688\r\n\r\n<\/p><p><i>The Theatre Projects team is based in Connecticut, London, Shanghai, and now Los Angeles!<\/i><b><b><b>\r\n\r\n<\/b><\/b><\/b><\/p><hr size=\"2\" width=\"100%\"><p><br>Photo credits:\r\n<br>Top: <i>Walt Disney Concert Hall, Architect: Gehry Partners, Photo: Hufton + Crow \/ View Pictures \/ Rex Features\r\n<\/i><br>Middle left: <i>Kodak Theatre, Architects: Rockwell Group, Ehrenkrantz Eckstut &amp; Kuhn, Altoon + Porter Architects, Photo: Academy of Motion Picture Arts and Sciences\r\n<\/i><br>Middle right: <i>UCLA, Kaufman Family Garden Theater, Architect: Moore Ruble Yudell Architects &amp; Planners, Photo: Tim Griffith\r\n<\/i><br>Bottom left: <i>American Conservatory Theater, Architect: Gensler, Photo: Marco Lorenzetti, Kobar\/Hedrich Blessing\r\n<\/i><br>Bottom right: <i>Julianne Argyros Stage, South Coast Repertory, Architects: Pelli Clarke Pelli Architects, McLarand Vasquez Emsiek &amp; Partners, Photo: Jeff Goldberg\/Esto\r\n\r\n\r\n<\/i><\/p>","desc":"\r\n\r\nWe've just opened our first office on the west coast - but don't call us newcomers! We've been working here for 30 years, and we're thrilled to now have a permanent home in Los ..."},{"id":"229","date_start":"August 4, 2011","title":"John Coyne joins University of North Carolina School of the Arts faculty","photo":"\/files\/news_items\/coyne-rgb-thumb.jpg","body":"<table class=\"news\" border=\"0\"><tbody><tr><td id=\"\" style=\"width: 50px;\" scope=\"\" lang=\"\" valign=\"top\"><p><img src=\"\/files\/bios\/coyne-rgb.jpg\" style=\"float: left; margin: 0pt 15px 10px 0pt;\" alt=\"\" mce_src=\"http:\/\/www.theatreprojects.com\/files\/bios\/coyne-rgb.jpg\" height=\"160\" align=\"textTop\" border=\"0\" width=\"160\"> <\/p><\/td><td><p> <a href=\"http:\/\/www.theatreprojects.com\/people\/staff\/profile\/83\" target=\"_blank\" mce_href=\"http:\/\/www.theatreprojects.com\/people\/staff\/profile\/83\">John Coyne<\/a>, principal consultant, has been offered an exciting position at the <a href=\"http:\/\/www.uncsa.edu\/\" target=\"_blank\" mce_href=\"http:\/\/www.uncsa.edu\/\">University of North Carolina School of the Arts<\/a> as the chair of the scenic design department. He'll join the faculty at the start of this coming school year. John plans to continue his relationship with Theatre Projects as theatre designer for the renovated Cincinnati Music Hall, as well as joining us on future projects. <\/p><p>\"I'm really looking forward to working at the University of North Carolina School of the Arts, but it does mean that I have to leave my full-time position at Theatre Projects,\" John said. \" I'm extremely proud of the work I've done with Theatre Projects, and that I've had the honor to work on some of the best theatres in the world. And I look forward to future collaborations.\" <\/p><p>As a licensed architect as well as a scenery and costume designer, when John joined Theatre Projects in 2002, he came with the ideal background of both architecture and theatre. He quickly adapted those skills to the art of theatre consulting and led the designs for numerous projects including the <a href=\"\/projects\/item\/*50\" class=\"lightwindow\" mce_href=\"\/projects\/item\/*50\" params=\"lightwindow_width=820,lightwindow_height=636,lightwindow_type=external\"> Wyly Theatre at the AT&amp;T Performing Arts Center<\/a> (Dallas, TX), <a href=\"\/projects\/item\/*97\" class=\"lightwindow\" mce_href=\"\/projects\/item\/*97\" params=\"lightwindow_width=820,lightwindow_height=636,lightwindow_type=external\">New World Center<\/a> (Miami Beach, FL), and the <a href=\"\/projects\/item\/*192\" class=\"lightwindow\" mce_href=\"\/projects\/item\/*192\" params=\"lightwindow_width=820,lightwindow_height=636,lightwindow_type=external\">Stavros Niarchos Foundation Cultural Center<\/a> (Athens, Greece). John became a principal consultant in 2004 and a partner in 2006.<\/p><p>While his daily presence, energy, and enthusiasm around the office will be greatly missed, we all wish John the best and look forward to future collaborations with him. <\/p><\/td><\/tr><\/tbody><\/table><br>","desc":"  John Coyne, principal consultant, has been offered an exciting position at the University of North Carolina School of the Arts as the chair of the scenic design department. He'll ..."},{"id":"225","date_start":"June 3, 2011","title":"Richard Pilbrow's latest book: <i>A Theatre Project<\/i>","photo":"\/files\/news_items\/atheatreproject_thumb.jpg","body":"<table class=\"news\" border=\"0\"><tbody><tr><td id=\"\" style=\"width: 50px;\" scope=\"\" valign=\"top\" lang=\"\"><p><img src=\"\/files\/news\/people\/atheatreproject_01.jpg\" style=\"float: left; margin: 0pt 15px 10px 0pt;\" alt=\"\" mce_src=\"http:\/\/www.theatreprojects.com\/files\/news\/people\/atheatreproject_01.jpg\" width=\"160\" align=\"textTop\" border=\"0\" height=\"230\"> <\/p><p>&nbsp;<\/p><p><img src=\"\/files\/news\/people\/atheatreproject_02.jpg\" style=\"float: left; margin: 0pt 15px 10px 0pt;\" alt=\"\" mce_src=\"http:\/\/www.theatreprojects.com\/files\/news\/people\/atheatreproject_02.jpg\" width=\"160\" align=\"textTop\" border=\"0\" height=\"160\">\r\n<br> <i>The first copies arriving in <br>our US office, and Richard savoring the moment!<\/i><\/p><\/td>\r\n<td><p> <a href=\"http:\/\/www.theatreprojects.com\/people\/leadership\/profile\/26\" target=\"_blank\" mce_href=\"http:\/\/www.theatreprojects.com\/people\/leadership\/profile\/26\">Richard Pilbrow's<\/a> memoir <i>A Theatre Project<\/i> is available now. Subtitled <i>A Backstage Adventure: Triumph, Disaster, and Renewal that Changed Stage Lighting and the Shape of Theatre<\/i>, the book is the story of both his life and of Theatre Projects, a company he founded over 50 years ago. \"It is the tale of a dream . . . one that came true with audacious success, turned into a nightmare, but emerged again to endure and enjoy success around the world,\" explains Richard in the book's introduction. <\/p><p>For more on the book, visit the publication section of our website: <a href=\"http:\/\/www.theatreprojects.com\/resources\/publications\" target=\"_blank\" mce_href=\"http:\/\/www.theatreprojects.com\/resources\/publications\">http:\/\/www.theatreprojects.com\/resources\/publications<\/a> <\/p><p>\"This is the remarkable story of how an upstart enterprise, Theatre Projects, shook up the world of theatre. Establishing the professions of stage lighting, sound design, and theatre consulting in Britain, Theatre Projects went on to revolutionize theatre design in the United States and internationally.<br>- PLASA Media<\/p><p>\"The author of the book happens to be one of my favorite folks of all time. I can barely imagine any time more enjoyably spent than in reading what follows in the book . . . He is the MASTER . . . and, thank heaven, wonderfully silly with it. My life has benefitted immeasurably from his being embroiled in it, as my closest friend and colleague.\"<br>- Tony Walton<\/p><p><i>\"A Theatre Project <\/i>is also a window into one of the secrets of Richard Pilbrow's success and that is collaboration. No theatrical endeavor, whether it is a performance, a theatre, or performing arts center can be realized without collaboration . . . It is a true honor to call him a collegue and I must admit that his generosity and perseverance inspire. No one embodies the best of this crazy world of the theatre more than Richard Pilbrow.\"<br>- Joseph Volpe<\/p><p>For more, visit the book's website: <a href=\"http:\/\/www.atheatreproject.com\/\" target=\"_blank\">www.atheatreproject.com<\/a> <br><\/p><\/td><\/tr><\/tbody><\/table><br><br>","desc":" &nbsp;\r\n The first copies arriving in our US office, and Richard savoring the moment!\r\n Richard Pilbrow's memoir A Theatre Project is available now. Subtitled A Backstage  ..."},{"id":"224","date_start":"June 2, 2011","title":"Benton Delinger speaking at upcoming ECHO Digital seminar","photo":"\/files\/news_items\/echo_digital_thumb.jpg","body":"<p><a href=\"http:\/\/www.theatreprojects.com\/people\/leadership\/profile\/14\" target=\"_blank\" mce_href=\"http:\/\/www.theatreprojects.com\/people\/leadership\/profile\/14\">Benton Delinger<\/a>, director, will be speaking at the first in a series of new seminars being presented by ECHO - the European Concert Hall Organization. The seminar, called ECHO Digital, will be a two-day event focusing on the latest applications of digital technologies from performance streaming and distance learning to marketing and audience development.<\/p><p><img src=\"\/files\/news\/industry\/echo_digital01.jpg\" mce_src=\"http:\/\/www.theatreprojects.com\/files\/news\/industry\/echo_digital01.jpg\" alt=\"\" align=\"\" border=\"\" height=\"330\" hspace=\"\" vspace=\"\" width=\"550\"><\/p><p>Benton has been invited to speak about the <a href=\"\/projects\/item\/*97\" class=\"lightwindow\" mce_href=\"\/projects\/item\/*97\" params=\"lightwindow_width=820,lightwindow_height=636,lightwindow_type=external\">New World Center<\/a> in Miami Beach Florida, a dynamic interactive campus for the New World Symphony, one of America's leading and most innovative music academies. Combining highly flexible spaces with forward-looking technology, the performance and rehearsal spaces transform instantly into broadcast studios for recording and long-distance learning. With Internet2 connectivity, advanced audio systems, and video projection integrated throughout the facility, performers and teachers can interact with far-flung audiences or students in real time.<\/p><p>The New World Center, designed by Gehry Partners, Nagata Acoustics, and Theatre Projects opened in January.<\/p><p>ECHO Digital will be held Monday, June 20 and Tuesday, June 21 at <a href=\"\/projects\/item\/*11\" class=\"lightwindow\" mce_href=\"\/projects\/item\/*11\" params=\"lightwindow_width=820,lightwindow_height=636,lightwindow_type=external\"> The Sage Gateshead<\/a> in Gateshead England. <\/p><p>Other speakers include: <\/p><ul><li><b>Tony Hall, Lord Hall of Birkenhead, CBE<\/b>, Chief Executive, Royal Opera House, London and Chair of the London 2012 Cultural Olympiad Board<\/li><li><b>Maximilian Madile<\/b>, Product Marketing Manager, Google, and Core Team YouTube Symphony Orchestra<\/li><li><b>Christoph Franke<\/b>, Creative Producer and <b>Robert Zimmermann<\/b>, Managing Director, Berlin Phil Media GmbH, Digital Concert Hall - Berliner Philharmoniker<\/li><li><b>Klaus Obermaier<\/b>, Digital Video Artist, Interactive 3D Rite of Spring<\/li><li><b>Marie-H\u00e9l\u00e8ne Serra<\/b>, Head of Education and Library, Cit\u00e9 de la musique, Paris<\/li><li><b>Dan Efergan<\/b>, Creative Director of Aardman Digital, Bristol<\/li><li><b>Kingsley Jayasekera<\/b>, Director of Communications and Digital Strategy, Sadlers Wells Theatre, London<\/li><li><b>Millicent Jones<\/b>, Executive Director, Liverpool Philharmonic Orchestra, Liverpool<\/li><li><b>Jim Beirne<\/b>, Chief Executive, Live Theatre, Newcastle-upon-Tyne<\/li><li><b>Hannah Rudman<\/b>, Director, Rudman Consulting &amp; Envirodigital, Scotland<\/li><li><b>Tod Machover<\/b>, Professor of Music and Media, MIT Media Lab, Massachusetts, USA<\/li><li><b>Christianne Orto<\/b>, Assistant Dean of Distance Learning &amp; Director of Recording, Manhattan School of Music, USA<\/li><\/ul><br><p>For more information on the conference, <a href=\"http:\/\/mail.tmsmail.us\/bin\/display_msg?id=4BB58AB2FEE28EAE03038B1E61A7FB1EE8658BFEC79BD716\" target=\"_blank\" mce_href=\"http:\/\/mail.tmsmail.us\/bin\/display_msg?id=4BB58AB2FEE28EAE03038B1E61A7FB1EE8658BFEC79BD716\">click here<\/a>. <\/p>","desc":"Benton Delinger, director, will be speaking at the first in a series of new seminars being presented by ECHO - the European Concert Hall Organization. The seminar, called ECHO  ..."},{"id":"215","date_start":"January 19, 2011","title":"New World Center &mdash; Watch a video of this versatile space in action","photo":"\/files\/news_items\/newworldanimation-thumb.jpg","body":"<div class=\"flvplayer\" id=\"video1\" video=\"flv\/newworld_animation.flv\" width=\"450\" height=\"330\"> Adobe Flash Player is required to view this content.<\/div>\r\n","desc":" Adobe Flash Player is required to view this content ..."},{"id":"214","date_start":"November 16, 2010","title":"Steve Rust joins the ASTC","photo":"\/files\/news_items\/rust_rgb_thumb.jpg","body":"<table class=\"news\" border=\"0\"><tbody><tr><td id=\"\" style=\"width: 50px;\" scope=\"\" valign=\"top\" lang=\"\"><p><img src=\"\/files\/bios\/rust_rgb.jpg\" style=\"float: left; margin: 0pt 15px 10px 0pt;\" alt=\"\" mce_src=\"http:\/\/www.theatreprojects.com\/files\/bios\/rust_rgb.jpg\" width=\"160\" align=\"textTop\" border=\"0\" height=\"160\"> <\/p><\/td><td><p>We're pleased to announce that <a href=\"http:\/\/www.theatreprojects.com\/people\/staff\/profile\/91\" target=\"_blank\" mce_href=\"http:\/\/www.theatreprojects.com\/people\/staff\/profile\/91\">Steve Rust<\/a> (Theatre Projects Senior Consultant) was voted into the <a href=\"http:\/\/www.theatreconsultants.org\/\" target=\"_blank\" mce_href=\"http:\/\/www.theatreconsultants.org\/\">American Society of Theatre Consultants<\/a> (ASTC) at the ASTC Forum 2010.<\/p><p>Steve joined Theatre Projects in 2009 as a performance equipment designer.<\/p><p>Since joining Theatre Projects, Steve has worked on projects including: the <a href=\"\/projects\/item\/*102\" class=\"lightwindow\" mce_href=\"\/projects\/item\/*102\" params=\"lightwindow_width=820,lightwindow_height=636,lightwindow_type=external\">Dr. Philips Center for the Performing Arts<\/a>, <a href=\"\/projects\/item\/*32\" class=\"lightwindow\" mce_href=\"\/projects\/item\/*32\" params=\"lightwindow_width=820,lightwindow_height=636,lightwindow_type=external\">Bowling Green State University<\/a>, <a href=\"\/projects\/item\/*76\" class=\"lightwindow\" mce_href=\"\/projects\/item\/*76\" params=\"lightwindow_width=820,lightwindow_height=636,lightwindow_type=external\">James Madison University<\/a>, <a href=\"\/projects\/item\/*97\" class=\"lightwindow\" mce_href=\"\/projects\/item\/*97\" params=\"lightwindow_width=820,lightwindow_height=636,lightwindow_type=external\">New World Symphony<\/a>, Palace of Fine Arts in Mexico City, and the <a href=\"\/projects\/item\/*190\" class=\"lightwindow\" mce_href=\"\/projects\/item\/*190\" params=\"lightwindow_width=820,lightwindow_height=636,lightwindow_type=external\">Complexo Cultural Luz Teatro da Dan\u00e7a<\/a> in S\u00e3o Paulo.<\/p><p>Steve joins our other members of ASTC including Millie Dixon, Jules Lauve, Scott Crossfield, Benton Delinger, Michael Ferguson, Gene Leitermann, and David Rosenburg.<\/p><hr width=\"100%\" size=\"2\"><p><i>The primary objective of the ASTC is to inform owners, users, and planners about the services that theatre consultants offer and about the value of those services to the achievement of effective and economically viable performance and assembly facilities, whether large or small, whether new construction or remodeling\/renovation project.<\/i><\/p><p><i>The Members of the ASTC are professional theatre consultants who have demonstrated a broad range of capability and experience necessary to qualify for membership. As professionals, ASTC members have individual and collective interests in providing unbiased, functionally sound and practical consulting and design services to owners, users, architects, and engineers or performance and assembly facilities. These interests are reflected in the objectives and programs of the Society.<\/i><\/p><\/td><\/tr><\/tbody><\/table><br>","desc":" We're pleased to announce that Steve Rust (Theatre Projects Senior Consultant) was voted into the American Society of Theatre Consultants (ASTC) at the ASTC Forum 2010.Steve  ..."},{"id":"213","date_start":"November 8, 2010","title":"Richard Pilbrow receives honorary fellowship from Hong Kong Academy","photo":"\/files\/news_items\/pilbrow-rgb-thumb.jpg","body":"<table class=\"news\" border=\"0\"><tbody><tr><td scope=\"\" style=\"width: 50px;\" dir=\"\" id=\"\" valign=\"top\" align=\"\" lang=\"\"><p><img src=\"\/files\/bios\/pilbrow-rgb.jpg\" mce_src=\"http:\/\/www.theatreprojects.com\/files\/bios\/pilbrow-rgb.jpg\" alt=\"\" style=\"margin: 0pt 15px 10px 0pt; float: left;\" vspace=\"\" width=\"160\" align=\"texttop\" border=\"\" height=\"160\" hspace=\"\"> <\/p><\/td><td><p><a href=\"http:\/\/www.theatreprojects.com\/people\/leadership\/profile\/26\" target=\"_blank\" mce_href=\"http:\/\/www.theatreprojects.com\/people\/leadership\/profile\/26\">Richard Pilbrow<\/a>, founder of Theatre Projects, has received an Honorary Fellowship from the <a href=\"http:\/\/www.hkapa.edu\/\" target=\"_blank\" mce_href=\"http:\/\/www.hkapa.edu\/\">Hong Kong Academy for the Performing Arts<\/a> for his work in lighting design. He was recognized in Hong Kong on Monday, November 8.<\/p><p> Richard Pilbrow is one of the world's leading theatre consultants. He is also an internationally known author and stage lighting designer, and a theatre, film, and television producer.<\/p><p> Other Honorary Fellowships were awarded to Peter Chan Ho-sun, <i>Film Director\/Producer<\/i>, Clarence Chang Ching-po, A<i>rts and Cultural Advisor of the Academy<\/i>, Vincent Chow Wing-sing, <i>Arts and Cultural Advisor of the Academy<\/i>, and Zhao Ming, <i>Choreographer<\/i>.<\/p><p>Click <a href=\"http:\/\/www.hkapa.edu\/asp\/general\/general_about_academy_honorary.asp\" target=\"_blank\" mce_href=\"http:\/\/www.hkapa.edu\/asp\/general\/general_about_academy_honorary.asp\">here<\/a> for a complete list of award recipients.<\/p><hr width=\"100%\" size=\"2\"><p><i>Since 1993, The Academy has been granting awards of Honorary Fellowship to people who have rendered outstanding services to the performing arts, particularly the arts in Hong Kong. Starting in 2006, Honorary Doctorates were awarded to distinguished persons of international and professional renowned for their achievements as practitioners or scholars in their artistic disciplines.<\/i><\/p><\/td><\/tr><\/tbody><\/table><br>","desc":" Richard Pilbrow, founder of Theatre Projects, has received an Honorary Fellowship from the Hong Kong Academy for the Performing Arts for his work in lighting design. He was  ..."},{"id":"210","date_start":"September 16, 2010","title":"John Coyne designs in our own Wyly Theatre","photo":"\/files\/news_items\/coyne-rgb-thumb.jpg","body":"<p><a href=\"http:\/\/www.theatreprojects.com\/people\/leadership\/profile\/83\" target=\"_blank\" mce_href=\"http:\/\/www.theatreprojects.com\/people\/leadership\/profile\/83\">John Coyne<\/a>, the director of design in our US office, is the scenic designer for the <a href=\"http:\/\/www.dallastheatercenter.org\/show_details.php?sid=11\" target=\"_blank\" mce_href=\"http:\/\/www.dallastheatercenter.org\/show_details.php?sid=11\">Dallas Theater Center's production of <i>Henry IV<\/i><\/a>. The production will take place in the Potter Rose Performance Hall at the <a href=\"\/projects\/item\/*50\" class=\"lightwindow\" mce_href=\"\/projects\/item\/*50\" params=\"lightwindow_width=820,lightwindow_height=600,lightwindow_type=external\">Dee and Charles Wyly Theatre<\/a>, a performance space designed by Theatre Projects where John was our lead designer. The show runs from September 10-October 10, 2010. \r\n<\/p><p>Read more about John's experience designing in a theatre he designed below. \r\n\r\n<\/p><p><img src=\"\/files\/news\/people\/johncoyne-henryiv01.jpg\" mce_src=\"http:\/\/www.theatreprojects.com\/files\/news\/people\/johncoyne-henryiv01.jpg\" alt=\"\" vspace=\"\" width=\"550\" align=\"\" border=\"\" height=\"275\" hspace=\"\">\r\n\r\n<\/p><p><b>Setting the Stage <\/b>\r\n<br>by Elizabeth Dimmette\r\n\r\n<\/p><p>It could be said that John Coyne has been designing this set for twelve years. The way he is able to blend the audience into the world of the performance is something he has explored not only for <i>Henry IV<\/i> but also throughout his career with Dallas Theater Center. It was an idea born in The Arts District Theater, aka The Barn, DTC's previous building that stood for 21 years on the site of the Winspear Opera House.\r\n\r\n<\/p><p>When Coyne was introduced to The Barn for the first of what would become many DTC projects, the idea of surprising flexibility within a single theater had already become a signature aspect of DTC programming. The Barn was conceived as both a temporary space and a response to the artistic restrictions of the Kalita Humphries Theater, DTC's original home in Turtle Creek. For set designers, it was the ultimate blank slate. For Dallas, it created seasons of programming with exciting surprises in store the moment you entered the door. By the time Coyne arrived however, rising costs had enforced substantial restrictions. The once infinite stage configurations had frozen into a fixed seating arrangement. This idea had been briefly realized however and although unsustainable, it remained a core aspect of DTC ideals. With demolition already on the horizon, the question then was how to develop a viable theater building that could realize such limitless variety within realistic production budgets.\r\n\r\n<\/p><p>It was for Coyne's second production, a realistic period piece for <i>Front Page (2001-02)<\/i> that Richard Hamburger, DTC's previous Artistic Director, next tapped into and then realized the breadth and depth of Coyne's architectural experience. As a licensed architect who previously worked on large projects for firms such as Holabird &amp; Root, Coyne's knowledge on the subject was substantial. Their discussions often turned from the production at hand to either reflecting upon The Barn's days of infinite possibility or looking ahead to ideas for DTC's new home, the programming for which was already underway.\r\n\r\n<\/p><p>Perhaps it was merely an appreciation for Coyne's versatility on the subject, perhaps he desired a project insider who was committed to DTC ideals or perhaps he presciently placed Coyne at a crucial crossroads, but it was Hamburger who suggested to both Theatre Projects Consultants and Coyne that he join the team and consult on what would become the new Charles T. Wyly Theatre. It proved to be sage advice. While Coyne continued to design for DTC productions, he was now also a theater designer, later to become a Principal, for the consultants leading Dallas through planning, design and construction. Deepening his intimacy with DTC, he became a steadfast representative for DTC's original concepts at many critical junctures throughout the design process.\r\nTheater Projects was also designing the new Dallas opera house to be constructed on the site of The Barn. While Coyne was not on that TPC team, he was familiar with all of the Arts District projects. And it was Coyne's <i>My Fair Lady (2004-05)<\/i> that last graced the stage before The Barn was demolished to make way for the Winspear. Deciding to set the entire play inside an opera house, it was not only an intriguing setting for the musical but also a final variation of seating arrangements constructed in the space, a foreshadowing of things to come and a fitting parting gesture from The Barn by Hamburger and Coyne.\r\n\r\n<\/p><p>Fast forward now to the opening of the Wyly Theatre: DTC not only has one of the coolest theatrical gadgets in the nation but also a new Artistic Director, Kevin Moriarty. During the many openings and galas celebrating the completion of this intense project and the beginning of a new era, Moriarty is introduced to the patrons, architects and theater designers, such as Coyne, who were involved. Having entered into the process during its final stages, Moriarty took advantage of the moment to learn as much as he could about what potential lay under the Wyly's hood and how best to exploit it. He discovered a willing and knowledgeable accomplice in Coyne. A quick conversation turned into a bit of brainstorming and soon they had made a mental test drive of the theater's many possibilities.\r\n\r\n<\/p><p>Kicking off DTC's 51st season, Coyne returns for his ninth production for the company after also working for almost seven years as theater designer of the Charles T. Wyly Theater. And, as Moriarty requested, he has pushed the building's creative abilities. \"In a way, I knew too much about the building,\" said Coyne. \"The limitlessness of the space was a bit daunting. [Moriarty and I] knew from the beginning we wanted to do something that had not been thought of before, but knowing what I know, to the extent that I know this building and the process, that directive was somewhat intimidating. And that's when I turned to the play and conversations with the director. In other words, I had to begin fresh-as a set designer, not a theater designer. I had to begin like I always do.\"\r\n\r\n<\/p><p><img src=\"\/files\/news\/people\/johncoyne-henryiv02.jpg\" mce_src=\"http:\/\/www.theatreprojects.com\/files\/news\/people\/johncoyne-henryiv02.jpg\" alt=\"\" vspace=\"\" width=\"550\" align=\"\" border=\"\" height=\"275\" hspace=\"\">\r\n\r\n<\/p><p>The performance space for <i>Henry IV<i> <\/i><\/i>literally merges the audience into the performance space. It is an unconventional interpretation of a theater-in-the-round using the Wyly's architectural components in a heretofore unimagined configuration. But most importantly, it is an exciting realization of DTC's ideals. Once again, as during the glory days of The Barn, the drama begins the minute you walk in the door.\r\n\r\n<\/p>","desc":"John Coyne, the director of design in our US office, is the scenic designer for the Dallas Theater Center's production of Henry IV. The production will take place in the Potter  ..."},{"id":"208","date_start":"September 1, 2010","title":"ABTT publishes <i>Theatre Buildings: A design guide<\/i>","photo":"\/files\/news_items\/theatre buildings a design guide.jpg","body":"This page will redirect automatically.\r\n\r\n<meta content=\"0; url=http:\/\/www.theatreprojects.com\/resources\/publications\/read\/214\" http-equiv=\"REFRESH\">","desc":"This page will redirect automatically ..."},{"id":"201","date_start":"March 23, 2010","title":"<i>Theaters 2: Partnerships in Facility Use, Operations and Management<\/i> publishes","photo":"\/files\/news_items\/theaters_2.jpg","body":"This page will redirect automatically.\r\n\r\n<meta content=\"0; url=http:\/\/www.theatreprojects.com\/resources\/publications\/read\/210\" http-equiv=\"REFRESH\">","desc":"This page will redirect automatically ..."},{"id":"199","date_start":"March 22, 2010","title":"Jules Lauve joins the ESTA board","photo":"\/files\/news_items\/lauve.jpg","body":"<table class=\"news\" border=\"0\"><tbody><tr><td scope=\"\" style=\"width: 50px;\" dir=\"\" id=\"\" valign=\"top\" align=\"\" lang=\"\"><p><img src=\"\/files\/bios\/lauve-rgb.jpg\" mce_src=\"http:\/\/www.theatreprojects.com\/files\/bios\/lauve-rgb.jpg\" alt=\"\" style=\"margin: 0pt 15px 10px 0pt; float: left;\" vspace=\"\" width=\"160\" align=\"texttop\" border=\"\" height=\"160\" hspace=\"\"> <\/p><\/td><td><p><a href=\"http:\/\/www.theatreprojects.com\/people\/staff\/profile\/19\" target=\"_blank\" mce_href=\"http:\/\/www.theatreprojects.com\/people\/staff\/profile\/19\">Jules Lauve<\/a>, associate at Theatre Projects, has been elected Professional Services Director on the board of directors for the Entertainment Services &amp; Technology Association (ESTA).<\/p><p>With over 30 years in the entertainment industry, Jules brings a unique perspective to our clients. His responsibilities at Theatre Projects include project management, theatre design, design of performance equipment systems, and advice on facility management and operations.<\/p><p>Jules came to Theatre Projects from Las Vegas where he produced, managed, and represented entertainment productions for numerous clients. From 1993 to 1999, Jules was director of entertainment for the Treasure Island Casino Hotel, serving as the primary liaison with Cirque du Soleil's <i>Myst\u00e8re<\/i> and the managing producer for the fiery Buccaneer Bay Sea Battle. Prior to that, he was the stage manager at the Mirage Hotel where he contributed greatly to the success of the Las Vegas high-tech spectacle, Siegfried &amp; Roy. Outside of Vegas, Jules has an extensive background in scenery and lighting design for opera, ballet, and large touring productions.<\/p><p>Jules was a principal member of the National Fire Protection Association's Special Effects Technical Committee responsible for NFPA standards 160 and 1126, respectively, \"Flame Effects Before an Audience\" and \"Pyrotechnics Before a Proximate Audience.\" He also served on the board of directors of Flame Service Company of Nevada. He is an active lighting designer for opera.<\/p><p><a href=\"http:\/\/viewer.zmags.com\/showmag.php?magid=242718#\/page64\/\" target=\"_blank\" mce_href=\"http:\/\/viewer.zmags.com\/showmag.php?magid=242718#\/page64\/\">Find out more in ESTA's 2010 Winter Protocol. <\/a><br><\/p><hr width=\"100%\" size=\"2\"><p><i>The <a href=\"http:\/\/esta.org\" target=\"_blank\" mce_href=\"http:\/\/esta.org\">Entertainment Services &amp; Technology Association (ESTA)<\/a>, is the trade association for the entertainment services and technology industry in North America. We are in the business of making our members better informed, better connected, safer, and more profitable. ESTA members include companies and organizations that provide products and services to the world of show business.\r\n\r\n<\/i><\/p><\/td><\/tr><\/tbody><\/table><br>","desc":" Jules Lauve, associate at Theatre Projects, has been elected Professional Services Director on the board of directors for the Entertainment Services &amp; Technology Association ( ..."},{"id":"198","date_start":"February 12, 2010","title":"Joseph Volpe advises the Metropolitan Opera's labor negotiations","photo":"\/files\/news_items\/volpe.jpg","body":"<table class=\"news\" border=\"0\"><tbody><tr><td scope=\"\" style=\"width: 50px;\" dir=\"\" id=\"\" align=\"\" valign=\"top\" lang=\"\"><p><img src=\"\/files\/bios\/volpe-rgb.jpg\" mce_src=\"http:\/\/www.theatreprojects.com\/files\/bios\/volpe-rgb.jpg\" alt=\"\" style=\"margin: 0pt 15px 10px 0pt; float: left;\" align=\"texttop\" border=\"\" vspace=\"\" width=\"160\" height=\"160\" hspace=\"\"> \r\n\r\n<br><\/p><\/td><td><p>Theatre Projects is pleased to annouce that <a href=\"http:\/\/www.theatreprojects.com\/people\/staff\/profile\/23\" target=\"_blank\" mce_href=\"http:\/\/www.theatreprojects.com\/people\/staff\/profile\/23\">Joseph Volpe<\/a>, our director of strategic development, has been engaged by the Metropolitan Opera as their lead negotiator in their upcoming labor negotiations. \r\n\r\n<\/p><p>\"I look forward to this added responsibility and am delighted to be able to give my continued support to the Metropolitan Opera,\" states Joseph Volpe.  \r\n\r\n<\/p><p>His work with the Metropolitan Opera will not affect his work with Theatre Projects or our clients. \r\n\r\n\r\n\r\n<\/p>&nbsp;<\/td><\/tr><\/tbody><\/table><br>","desc":" \r\n\r\nTheatre Projects is pleased to annouce that Joseph Volpe, our director of strategic development, has been engaged by the Metropolitan Opera as their lead negotiator in their  ..."},{"id":"185","date_start":"August 5, 2009","title":"Dawn Chiang elected Vice President of the board of directors of Theatre Communications Group ","photo":"\/files\/news_items\/chiang-rgb-thumb.jpg","body":"<table class=\"news\" border=\"0\"><tbody><tr><td scope=\"\" style=\"width: 50px;\" dir=\"\" id=\"\" align=\"\" valign=\"top\" lang=\"\"><p><img src=\"\/files\/bios\/chiang-rgb.jpg\" mce_src=\"http:\/\/www.theatreprojects.com\/files\/bios\/chiang-rgb.jpg\" alt=\"\" style=\"margin: 0pt 15px 10px 0pt; float: left;\" align=\"texttop\" border=\"\" vspace=\"\" width=\"160\" height=\"160\" hspace=\"\"> <br><\/p><p><br><\/p><\/td><td><p><a href=\"http:\/\/www.theatreprojects.com\/people\/staff\/collaborative_consultants\/profile\/32\" target=\"_blank\" mce_href=\"http:\/\/www.theatreprojects.com\/people\/staff\/collaborative_consultants\/profile\/32\">Dawn Chiang<\/a>, TPC Senior Consultant, has been elected Vice President of the board of\r\ndirectors of <a href=\"http:\/\/www.tcg.org\/\" target=\"_blank\" mce_href=\"http:\/\/www.tcg.org\/\">Theatre Communications Group<\/a> (TCG). Dawn has been a board\r\nmember of TCG since 2005 and has also served on grant award panels for\r\nTCG and the National Endowment for the Arts.<\/p>\r\n\r\n\r\n<p>An accomplished theatrical lighting designer, Dawn has been associated with Theatre\r\nProjects since 1990 as a senior lighting design associate and most\r\nrecently as a project manager for City of Dreams Theater in Macau,\r\nChina. She recently completed a residency with the Hong Kong Academy\r\nfor the Performing Arts as a lighting designer and guest lecturer.<\/p>\r\n\r\n\r\n<p>Her lighting design credits include <i>Zoot Suit<\/i> on Broadway and\r\nregional theatre and Off-Broadway productions for numerous companies\r\nincluding Manhattan Theatre Club, Roundabout Theater, Guthrie Theater,\r\nand Oregon Shakespeare Festival. As the resident lighting designer for\r\nNew York City Opera for the 1989 and 1990 season, her designs included <i>A Little Night Music<\/i>, which was broadcast on PBS' <i>Live from Lincoln Center<\/i>. Dawn was also the associate lighting designer for the Broadway productions of <i>Show Boat<\/i>, <i>La Cage Aux Folles<\/i>, and <i>Sophisticated Ladies<\/i>.<\/p>\r\n\r\n\r\n<p>She is a member of the <a href=\"http:\/\/www.usa829.org\/\" target=\"_blank\" mce_href=\"http:\/\/www.usa829.org\/\">United Scenic Artists\/Local 829<\/a> in lighting and set design. <\/p>\r\n<hr width=\"100%\" size=\"2\">\r\n<p><i>Over\r\nthe last 45 years, TCG's constituency has grown from a tiny network of\r\ngroundbreaking theatres to over 460 members across the country, as well\r\nas over 17,000 individuals nationwide. Today, their programs further\r\ntheir core values of fostering connection, embracing diversity and\r\nsupporting artistry in the American theatre. In all their endeavors,\r\nTCG seeks to increase the organizational efficiency of its member\r\ntheatres, cultivate and celebrate the artistic talent and achievements\r\nof the field, and promote a larger public understanding of and\r\nappreciation for the theatre. TCG is led by executive director Teresa\r\nEyring and is governed by a national board of directors representing\r\nthe theatre field.<\/i><\/p>&nbsp;<\/td><\/tr><\/tbody><\/table><br>","desc":" Dawn Chiang, TPC Senior Consultant, has been elected Vice President of the board of\r\ndirectors of Theatre Communications Group (TCG). Dawn has been a board\r\nmember of TCG since  ..."},{"id":"172","date_start":"May 1, 2009","title":"Richard Pilbrow receives Drama Desk nomination","photo":"\/files\/news_items\/2009-05-01-dramadesk_thumb.jpg","body":"<table width=\"549\" border=\"0\" height=\"58\"><tbody><tr><td><a href=\"\/sections\/news_items\/edit\/..\/..\/..\/people\/senior_staff\/profile\/26\" target=\"_blank\" mce_href=\"\/sections\/news_items\/edit\/..\/..\/..\/people\/senior_staff\/profile\/26\">Richard Pilbrow<\/a> has received a <a href=\"http:\/\/www.dramadesk.com\/\" target=\"_blank\" mce_href=\"http:\/\/www.dramadesk.com\/\">Drama Desk<\/a> nomination for Outstanding Lighting Design in a Musical for his work on <i>A Tale of Two Cities<\/i>.<br><br><\/td><\/tr><tr><td><p><img src=\"\/files\/news\/people\/2009-05-01-dramadesk01.jpg\" mce_src=\"\/files\/news\/people\/2009-05-01-dramadesk01.jpg\" alt=\"\" vspace=\"\" width=\"550\" align=\"\" border=\"\" height=\"347\" hspace=\"\"><\/p><\/td><\/tr><tr><td colspan=\"1\"><p>&nbsp;A pioneer of modern stage lighting, his lighting design work has been\r\nseen in London, New York, Dublin, Paris, Berlin, Vienna, and Moscow.\r\nHis Broadway credits include <i>A Tale of Two Cities - The Musical<\/i>, <i>Our Town<\/i> (starring Paul Newman), the Hal Prince hit revival of <i>Show Boat<\/i>, <i>Zorba<\/i>, <i>Rosencrantz &amp; Guildenstern Are Dead<\/i>, and <i>The Rothchilds<\/i>. He also recently designed lights for <i>The Sleeping Beauty<\/i> for the American Ballet Theatre at the Metropolitan Opera House.<br><\/p><\/td><\/tr><tr><td colspan=\"1\"><p><img src=\"\/files\/news\/people\/2009-05-01-dramadesk02.jpg\" mce_src=\"\/files\/news\/people\/2009-05-01-dramadesk02.jpg\" alt=\"\" vspace=\"\" width=\"550\" align=\"\" border=\"\" height=\"347\" hspace=\"\"><\/p><\/td><\/tr><\/tbody><\/table>\r\n\r\n<p>Richard is an active author and publisher including <i><i><i>Stage Lighting<\/i><\/i><\/i>, with a forward by Sir Olivier, and <i><i><i>Stage Lighting Design: The Art, the Craft, the Life<\/i>, <\/i><\/i>with forward by Hal Prince, (published 1997 and reprinted 2008) which became and continues to be the standard for teaching lighting in the UK and US. He has been recognized with multiple Tony Award nominations, the Drama Desk Award, the Outer Circle Critics Award-Lighting, and the Dora Award - Outstanding Lighting. \r\n\r\n<\/p><p>The 2008-2009 54th Annual Drama Desk Award Ceremony will take place May 17, 2009 at the LaGuardia Concert Hall @ Lincoln Center (F.H.LaGuardia H.S. of Music &amp; Art and Performing Arts) and will be hosted by Harvey Fierstein.\r\n\r\n<\/p><hr size=\"2\" width=\"100%\"><p><i><i><i>The Drama Desk was founded in 1949 to explore key issues in the theater and to bring together critics and writers in an organization to support the ongoing development of theater in New York. The organization began presenting its awards in 1955, and it is the only critics organization to honor achievement in the theater with competition between Broadway, Off Broadway and Off-Off Broadway productions in the same categories.<\/i>n<\/i><\/i><\/p>","desc":"Richard Pilbrow has received a Drama Desk nomination for Outstanding Lighting Design in a Musical for his work on A Tale of Two Cities.&nbsp;A pioneer of modern stage lighting, his ..."},{"id":"167","date_start":"October 29, 2008","title":"Richard Pilbrow receives the Wally Russell Award","photo":"\/files\/news_items\/pilbrow_news-thumb.jpg","body":"Theatre Projects is pleased to announce that <a href=\"\/people\/senior_staff\/profile\/26\" target=\"_blank\" mce_href=\"\/people\/senior_staff\/profile\/26\">Richard Pilbrow<\/a>, Founder and Chairman Emeritus, has been awarded the Wally Russell Lifetime Achievement Award. This year's award was presented during the Awards Ceremonies at the LDI trade show in Las Vegas. This prestigious honor is given on an annual basis to an individual who has made outstanding contributions to the entertainment industry during their career. <br><br>Richard is one of the world's leading theatre consultants. He is an internationally known stage lighting designer, author, and a theatre, film, and television producer. He is responsible for the design and planning of many of the world's most significant theatres. He continues to impact theatrical lighting with his recent credits for the Broadway production of Tale of Two Cities - The Musical and the American Ballet Theatre's The Sleeping Beauty at the Metropolitan Opera House. Richard founded Theatre Projects in London in 1957. Under his leadership, the company has become the pre-eminent theatre consulting organization in the world, with over 1000 projects in 60 countries to its credit. <br><br>Richard has also been an active author and publisher including Stage Lighting, with a forward by Sir Olivier, and Stage Lighting Design: The Art, the Craft, the Life, with forward by Hal Prince, (published 1997 and reprinted 2008) which became and continues to be the standard for teaching lighting in the UK and US. He has been recognized with multiple Tony Award nominations, the Drama Desk Award, the Outer Circle Critics Award-Lighting, and the Dora Award - Outstanding Lighting. In December 2005 in the premier edition of LiveDesign he was named as one of the ten visionaries among designers and artists, who were the most influential people in the world of visual design for live events. ","desc":"Theatre Projects is pleased to announce that Richard Pilbrow, Founder and Chairman Emeritus, has been awarded the Wally Russell Lifetime Achievement Award. This year's award was  ..."},{"id":"168","date_start":"October 29, 2008","title":"John Runia joins ASTC and receives LEED certification","photo":"\/files\/news_items\/runia-rgb.jpg","body":"<P>Theatre Projects is proud to congratulate <A href=\"http:\/\/www.theatreprojects.com\/people\/senior_staff\/profile\/17\" target=_blank mce_href=\"\/people\/senior_staff\/profile\/17\">John Runia<\/A>, TPC senior associate,&nbsp;for achieving his <A href=\"http:\/\/www.usgbc.org\/DisplayPage.aspx?CMSPageID=222\" target=0 mce_href=\"http:\/\/www.usgbc.org\/DisplayPage.aspx?CMSPageID=222\">LEED-AP certification <\/A>and for being voted into the <A href=\"http:\/\/www.theatreconsultants.org\/\" target=0 mce_href=\"http:\/\/www.theatreconsultants.org\/\">American Society of Theatre Consultants<\/A>! <\/P>\r\n<P style=\"MARGIN: 0in 0in 0pt\" class=MsoNormal>John has a wide range of experience in theatre design, contributing to hundreds of projects in his career. From small studio theatres to large performing arts centers, he has brought his desire of efficient, quality design to the entire building process. His expertise ranges from facility planning and design to computer analysis and modeling.<\/P><?xml:namespace prefix = o \/><o:p>&nbsp;<\/o:p> \r\n<P style=\"MARGIN: 0in 0in 0pt\" class=MsoNormal>John has over 30 years of theatre building experience. He began working with the Canadian theatre architect Fred Lebensold in <?xml:namespace prefix = st1 \/><st1:place><st1:city>Toronto<\/st1:city><\/st1:place>. Since 1988 he has been involved with TPC on every type of live performance venue.<\/P><o:p>&nbsp;<\/o:p> \r\n<P style=\"MARGIN: 0in 0in 0pt\" class=MsoNormal>Some of his recent projects include <A class=lightwindow href=\"\/projects\/item\/*16\" params=\"lightwindow_width=820,lightwindow_height=600,lightwindow_type=external\">American Airlines Theatre<\/A>, <A class=lightwindow href=\"\/projects\/item\/*82\" params=\"lightwindow_width=820,lightwindow_height=600,lightwindow_type=external\">Kodak Theatre<\/A>, and <A class=lightwindow href=\"\/projects\/item\/*9\" params=\"lightwindow_width=820,lightwindow_height=600,lightwindow_type=external\">Overture Center for the Arts<\/A>. Current work includes major projects such as <A class=lightwindow href=\"\/projects\/item\/*49\" params=\"lightwindow_width=820,lightwindow_height=600,lightwindow_type=external\">Margot and Bill Winspear Opera House<\/A>, <A class=lightwindow href=\"\/projects\/item\/*97\" params=\"lightwindow_width=820,lightwindow_height=600,lightwindow_type=external\">New World Symphony<\/A>, and Stavros Niarchos Foundation Cultural Center.<\/P>","desc":"Theatre Projects is proud to congratulate John Runia, TPC senior associate,&nbsp;for achieving his LEED-AP certification and for being voted into the American Society of Theatre  ..."},{"id":"174","date_start":"September 15, 2008","title":"Announcing our new associates","photo":"","body":"<p>Theatre Projects Consultants (TPC) is pleased to announce the promotions of <a target=\"_blank\" mce_href=\"\/sections\/news_items\/edit\/..\/..\/..\/people\/senior_staff\/profile\/17\" href=\"\/sections\/news_items\/edit\/..\/..\/..\/people\/senior_staff\/profile\/17\">John Runia<\/a> to Senior Associate, and <a target=\"_blank\" mce_href=\"\/sections\/news_items\/edit\/..\/..\/..\/people\/senior_staff\/profile\/30\" href=\"\/sections\/news_items\/edit\/..\/..\/..\/people\/senior_staff\/profile\/30\">Martin Bailey<\/a>, <a target=\"_blank\" mce_href=\"\/sections\/news_items\/edit\/..\/..\/..\/people\/senior_staff\/profile\/22\" href=\"\/sections\/news_items\/edit\/..\/..\/..\/people\/senior_staff\/profile\/22\">Scott Crossfield<\/a>, Oliver Leigers, and&nbsp;<a target=\"_blank\" mce_href=\"\/sections\/news_items\/edit\/..\/..\/..\/people\/senior_staff\/profile\/18\" href=\"\/sections\/news_items\/edit\/..\/..\/..\/people\/senior_staff\/profile\/18\">Kristen Mathias<\/a>, and Robert Young to Associates. These promotions acknowledge the contributions made by these individuals and reflect their importance to the future success of Theatre Projects.<\/p><p><span style=\"color: rgb(204, 0, 0);\">John Runia, Senior Associate<\/span><br>John has a wide range of experience in theatre design, contributing to hundreds of projects in his career. From small studio theatres to large performing arts centers, John brings his desire for efficient, quality design to the entire building process. His expertise ranges from facility planning and design to computer analysis and modeling. He is also actively involved with contract documents.<\/p><p>He is a member of the American Society of Theatre Consultants, United States Institute of Theatre Technology, International Code Council, International Building Code, associate of the American Institute of Architects and American Acoustical Society. John is also LEED Accredited Professional.<\/p><p><span style=\"color: rgb(204, 0, 0);\">Martin Bailey, Associate<\/span><br>A project manager with over 20 years of experience in the theatre industry, Martin is well-placed to advise on a range of projects. Martin's role is key to the successful collaboration with our clients and other design team members and the coordination of work between project team members for Theatre Projects.<\/p><p>Having previously worked with medium- and large-scale national and international touring theatres, Martin has a strong, practical background with a range of theatres and arenas. He's consulted for an event, regeneration, and public arts company, giving advice for new build and redevelopment projects. <\/p><p><span style=\"color: rgb(204, 0, 0);\">Scott Crossfield, Associate<\/span><br>Scott is an experienced designer, having consulted on over 200 performing arts projects in the United States and abroad. As a senior theatre designer, his work includes theatre concept design, planning and programming, site assessment, and participation in feasibility studies.<\/p><p>Prior to joining us, Scott was a partner at Davis Crossfield Associates, Theater Consulting Services of New York City (DCA). He is a member of the American Society of Theatre Consultants and the United States Institute of Theater Technology.<\/p><p><span style=\"color: rgb(204, 0, 0);\">Oliver Leigers, Associate<\/span><br>Oliver specializes in the stage engineering of performing arts centers across the world. He uses digital visualization including 3D modeling and animation to be able to demonstrate the movements of the grid machinery systems, winches, and driving systems.<\/p><p>He has gained experience at several opera houses and theatre productions and festivals, as well as through work for equipment manufacturers. He has been involved in the engineering and technical management for various theatre productions and project management for the installation of new theatre engineering equipment.<\/p><p><span style=\"color: rgb(204, 0, 0);\">Kristen Mathias, Associate<\/span><br>Kristen directs our marketing and sales team in the US office. She has been instrumental in defining our global brand and tone of voice and works closely with our other offices to maintain a consistent image. She's also a member of our strategic planning team conducting project feasibility and operations studies.<\/p><p>She is a member of the Society for Marketing Professional Services. <\/p><p><span style=\"color: rgb(204, 0, 0);\">Robert Young, Associate<\/span><br>Robert is responsible for the design and specification of stage lighting systems. His work includes the design and layout of lighting positions, design and distribution of dimming and control systems, and equipment selection and specification. He also works with defining power requirements for performance equipment, developing cable management systems, and the design and layout of concert lighting. Since joining the firm in 1999, he has worked on more than a hundred projects.<\/p><p>Robert has worked in the theatre and entertainment industries for over 20 years. He is a lighting designer who has designed for a wide variety of productions including theatre, dance, opera, live music concerts, performance art, and special events.<\/p>","desc":"Theatre Projects Consultants (TPC) is pleased to announce the promotions of John Runia to Senior Associate, and Martin Bailey, Scott Crossfield, Oliver Leigers, and&nbsp;Kristen  ..."},{"id":"173","date_start":"September 1, 2008","title":"Introducing our three new principals ","photo":"","body":"<p>We're excited to announce that <a href=\"\/sections\/news_items\/edit\/..\/..\/..\/people\/leadership\/profile\/13\" target=\"_blank\" mce_href=\"\/sections\/news_items\/edit\/..\/..\/..\/people\/leadership\/profile\/13\">Millie Dixon<\/a>, <a href=\"\/sections\/news_items\/edit\/..\/..\/..\/people\/leadership\/profile\/21\" target=\"_blank\" mce_href=\"\/sections\/news_items\/edit\/..\/..\/..\/people\/leadership\/profile\/21\">Tom Davis<\/a>, and <a href=\"\/sections\/news_items\/edit\/..\/..\/..\/people\/leadership\/profile\/6\" target=\"_blank\" mce_href=\"\/sections\/news_items\/edit\/..\/..\/..\/people\/leadership\/profile\/6\">David H. Rosenburg<\/a> are our newest principals.\r\n\r\n<\/p><p>Each of them has made a significant impact to Theatre Projects and our work. And we're proud to recognize their contributions and importance to the future of Theatre Projects. Join us in congratulating them.\r\n\r\n<\/p><p><span style=\"color: rgb(204, 0, 0);\">Tom Davis, Principal <\/span>\r\n<br>As a project manager, Tom is responsible for working with our clients, design team members, and our in-house team to ensure the success of a project. Tom is also an expert at designing and building sound, audio-visual, and lighting systems.\r\n\r\n<\/p><p>After graduating with a degree in physics, Tom decided to specialize in sound, communications and audio-visual systems for performance venues. He joined the Theatre Projects team in 2004 from LSI Projects. His understanding of theatre equipment is an asset to the initial project budgeting and invaluable when reviewing tender responses.\r\n\r\n<\/p><p>He has worked on projects all over the world, but has a particular knowledge of the Middle East and has personal ties with the region.\r\n\r\n<\/p><p><span style=\"color: rgb(204, 0, 0);\">Millie Dixon, Principal <\/span>\r\n<br>As a former arts center manager, Millie easily approaches a project from the client's perspective. She is a skilled programmer, planner, project manager, and operations specialist.\r\n\r\n<\/p><p>She joined us in 1997 from the Cerritos Center for the Performing Arts (Cerritos, CA) where she was the director of operations. At Cerritos she oversaw all technical aspects of the facility from budgets and payroll to supervising contracted union technical staff. Millie was also the operations manager at the Capitol Theatre (Yakima, WA) and the technical director at the University of Iowa's Hancher Auditorium.\r\n\r\n<\/p><p>She is a member of the United States Institute for Theatre Technology, the International Association of Assembly Managers, and the American Society of Theatre Consultants.\r\n\r\n<\/p><p><span style=\"color: rgb(204, 0, 0);\">David Rosenburg, Principal <\/span>\r\n<br>David has an extensive background as a theatrical lighting designer, production manager, technical director, and stage manager. As a project manager, he works with our clients and the design team to program, plan, and design theatres.\r\n\r\n<\/p><p>He was the associate lighting designer for the Broadway production of <i>Our Town<\/i> with Paul Newman. For fifteen years he toured worldwide with prominent dance companies. His designs can be seen in the repertories of The Alvin Ailey American Dance Theatre, Donald Byrd\/The Group, The Dance Exchange, Le Conservatoire National Superior de Paris, Atlanta Ballet, and Oregon Ballet Theatre. His work has taken him to the Paris Opera (Garnier), the Kennedy Center, and Lincoln Center.nn<\/p><p>David joined us in 1997. He is a member of the American Society of Theatre Consultants.n<\/p>","desc":"We're excited to announce that Millie Dixon, Tom Davis, and David H. Rosenburg are our newest principals.\r\n\r\nEach of them has made a significant impact to Theatre Projects and our  ..."},{"id":"157","date_start":"April 17, 2008","title":"John Coyne designs Cav\/Pag for San Diego Opera","photo":"\/files\/news_items\/coyne-rgb-thumb.jpg","body":"  <p><a href=\"\/people\/leadership\/profile\/83\" target=\"_blank\" mce_href=\"\/people\/leadership\/profile\/83\">John Coyne<\/a>, principal at Theatre Projects, designed the sets for San Diego Opera's production of the double-bill opera, <i>Cavalleria Rusticana<\/i> and <i>I Pagliacci<\/i> (Cav\/Pag.)&nbsp;&nbsp;<\/p><p><img src=\"\/files\/news\/people\/jc-cavpag1.jpg\" mce_src=\"\/files\/news\/people\/jc-cavpag1.jpg\" alt=\"\" vspace=\"\" width=\"325\" align=\"absmiddle\" border=\"\" height=\"211\" hspace=\"\"><br><i>Cavalleria Rusticana<\/i><\/p><p>His artistic vision was a clear contribution to the overwhelming\r\nsuccess of the first Cav\/Pag at San Diego Opera in almost 30 years. The set design of an aptly rustic Sicilian village by <a href=\"\/people\/leadership\/profile\/83\" target=\"_blank\" mce_href=\"\/people\/leadership\/profile\/83\">John Coyne<\/a> was\r\nbeautiful and innovative, filling the stage without crowding.<\/p><p><img src=\"\/files\/news\/people\/jc-cavpag2.jpg\" mce_src=\"\/files\/news\/people\/jc-cavpag2.jpg\" alt=\"\" vspace=\"\" width=\"325\" align=\"absmiddle\" border=\"\" height=\"207\" hspace=\"\"><i><br><\/i><\/p><p><i>I Pagliacci<\/i>    <\/p><p>This is John's second production with the San Diego Opera (<i>Simon Boccanegra<\/i>, 2005).    <\/p><p>The production ran from March 22- April 2. To read more about the production follow any link below.    <\/p><p><i><a href=\"http:\/\/www.signonsandiego.com\/news\/features\/20080324-9999-1c24opera.html\" mce_href=\"http:\/\/www.signonsandiego.com\/news\/features\/20080324-9999-1c24opera.html\" target=\"0\">'Cav\/Pag': Twice the enjoyment<\/a>    <\/i><\/p><p><i><a href=\"http:\/\/www.operawarhorses.com\/2008\/03\/27\/tradition-and-novelty-in-san-diego-operas-new-cavalleria-march-22-2008\/\" mce_href=\"http:\/\/www.operawarhorses.com\/2008\/03\/27\/tradition-and-novelty-in-san-diego-operas-new-cavalleria-march-22-2008\/\" target=\"0\">Tradition and Novelty in San Diego Opera's New \"Cavalleria\"<\/a>    <\/i><\/p><p><i><a href=\"http:\/\/www.operawarhorses.com\/2008\/04\/02\/cura-futral-shine-in-new-san-diego-opera-pagliacci-march-22-2008\/\" mce_href=\"http:\/\/www.operawarhorses.com\/2008\/04\/02\/cura-futral-shine-in-new-san-diego-opera-pagliacci-march-22-2008\/\" target=\"0\"> Cura, Futral Shine in New San Diego Opera \"Pagliacci\" <\/a>    <\/i><\/p><p><i><a href=\"http:\/\/www.epinions.com\/content_5182562436\" mce_href=\"http:\/\/www.epinions.com\/content_5182562436\" target=\"0\">Cav\/Pag Opening Night at SDO<\/a>    <\/i><\/p><p><a href=\"http:\/\/sdopera.com\/season\/cavpag.aspx\" mce_href=\"http:\/\/sdopera.com\/season\/cavpag.aspx\" target=\"0\">San Diego Opera website<\/a>  <\/p>","desc":"  John Coyne, principal at Theatre Projects, designed the sets for San Diego Opera's production of the double-bill opera, Cavalleria Rusticana and I Pagliacci (Cav\/Pag.)&nbsp;&nbsp ..."},{"id":"155","date_start":"March 25, 2008","title":"Joseph Volpe joins Theatre Projects as Director of Strategic Development","photo":"","body":"<p><a href=\"#\" mce_href=\"#\"><img src=\"http:\/\/www.theatreprojects.com\/images\/up.gif\" mce_src=\"..\/..\/..\/images\/up.gif\" alt=\"\" width=\"19\" align=\"right\" border=\"0\" height=\"19\"><\/a><a href=\"\/people\/senior_staff\/profile\/23\" target=\"_blank\" mce_href=\"\/people\/senior_staff\/profile\/23\">Joseph Volpe<\/a>, former general manager of the Metropolitan Opera and\r\nformer senior vice president of Giuliani Partners, has joined Theatre\r\nProjects as director of strategic development. Theatre Projects is an\r\ninternationally renowned theatre design consulting firm collaborating\r\nwith architects and clients on the design of performing arts buildings.\r\nSignificant projects include the <a href=\"\/projects\/item\/*82\" class=\"lightwindow\" params=\"lightwindow_width=820,lightwindow_height=600,lightwindow_type=external\">Kodak Theatre<\/a> (home of the Academy\r\nAwards), <a href=\"\/projects\/item\/*96\" class=\"lightwindow\" params=\"lightwindow_width=820,lightwindow_height=600,lightwindow_type=external\">New Amsterdam Theatre<\/a> on 42nd Street, and the <a href=\"\/projects\/item\/*3\" class=\"lightwindow\" params=\"lightwindow_width=820,lightwindow_height=600,lightwindow_type=external\">Walt Disney Concert Hall<\/a>. <\/p><p>\"After my long and wonderful career at the Metropolitan Opera\r\njoining one of the finest theatre consulting companies is both logical\r\nand very exciting\", states <a href=\"\/people\/senior_staff\/profile\/23\" target=\"_blank\" mce_href=\"\/people\/senior_staff\/profile\/23\">Volpe<\/a>.\r\n<\/p><p><a href=\"\/people\/senior_staff\/profile\/26\" target=\"_blank\" mce_href=\"\/people\/senior_staff\/profile\/26\">Richard Pilbrow<\/a>, founder and chairman emeritus of Theatre\r\nProjects, states, \"It is a tremendous privilege for me to welcome Joe\r\nto the Theatre Projects team. His rise at the Met from carpenter to\r\ngeneral manager very much parallels our own, from backstage technicians\r\nto designing many of the world's most significant performing arts\r\nspaces. Our record of innovative and ground breaking theatre buildings\r\nwill be enhanced by Joe's knowledge and experience in their operations.\r\nJoe will prove to be a powerful ally in our development.\"\r\n<\/p><p>With <a href=\"\/people\/senior_staff\/profile\/23\" target=\"_blank\" mce_href=\"\/people\/senior_staff\/profile\/23\">Volpe<\/a>'s appointment as director of strategic development,\r\nTheatre Projects will be expanding services to both existing and future\r\nclients. <a href=\"\/people\/senior_staff\/profile\/23\" target=\"_blank\" mce_href=\"\/people\/senior_staff\/profile\/23\">Volpe <\/a>will work with clients to develop planning and\r\noperational strategies to realize their visions. These services include\r\ndefining the clients' needs, developing strategies for project start\r\nup, guiding clients in establishing or reforming organizational\r\nstructures, and assisting with the transition to new facilities.\r\nServices for ongoing operations include strategies for governance,\r\nfinance, staffing and staff training, fundraising, marketing, and labor\r\nrelations.\r\n<\/p><p>\"Joe brings a wealth of experience and is a natural addition to\r\nour team. We have been exploring expansion of our strategic services.\r\nJoe will help us 'bookend' our planning services by expanding our\r\nstrategic advice during the very early steps of projects and providing\r\nmore guidance to our clients as they move into new facilities,\"\r\nexplains <a href=\"\/people\/leadership\/profile\/11\" target=\"_blank\" mce_href=\"\/people\/leadership\/profile\/11\">Gene Leitermann<\/a>, principal at Theatre Projects.\r\n<\/p><p><a href=\"\/people\/senior_staff\/profile\/23\" target=\"_blank\" mce_href=\"\/people\/senior_staff\/profile\/23\">Volpe <\/a>will also assist in the development of new business opportunities for Theatre Projects.\r\n\r\n<\/p><p>Joe was named general manager of the Metropolitan Opera in\r\nAugust 1990, a position he held for 16 years, the third longest term in\r\nthe company's history. He joined the Metropolitan Opera in 1964 as an\r\napprentice carpenter. His abilities in technical production were\r\nquickly recognized, and he was named the Met's master carpenter in\r\n1966, technical director in 1978, and assistant general manager in\r\n1981.\r\n<\/p><p>As general manager at the Metropolitan Opera, <a href=\"\/people\/senior_staff\/profile\/23\" target=\"_blank\" mce_href=\"\/people\/senior_staff\/profile\/23\">Volpe <\/a>conceived\r\nand developed Met Titles, a unique system, which provides individual\r\nseat-back translations of the opera for members of the audience. In\r\nanother technological innovation, he initiated the development of a\r\nfully integrated constituent-management software program, Tessitura,\r\nwhich records, tracks, and manages all contacts with the Met's\r\nconstituents. The software also facilitates highly targeted and\r\ncost-efficient marketing and fundraising appeals, and provides detailed\r\nand flexible performance reports. Since the Met first licensed this\r\nprogram in 2000, over 80 performing arts companies worldwide have\r\nutilized it.\r\n<\/p><p>He recently published his memoir, <i>The Toughest Show on Earth: My Rise and Reign at the Metropolitan Opera<\/i>.\r\n\r\n<\/p>","desc":"Joseph Volpe, former general manager of the Metropolitan Opera and\r\nformer senior vice president of Giuliani Partners, has joined Theatre\r\nProjects as director of strategic  ..."},{"id":"154","date_start":"March 7, 2008","title":"Andrew Hagan joins Theatre Projects","photo":"","body":"<p>Theatre Projects welcomes <a href=\"\/people\/staff\/consultants\/profile\/39\" target=\"_blank\" mce_href=\"\/people\/staff\/consultants\/profile\/39\">Andrew Hagan<\/a> to our technical production team.    <\/p><p>Andrew is well versed in the engineering aspects of stage construction and design and brings a decade of technical experience from around the country in both theatre and musical theatre.  He will contribute to the design and selection of performance equipment systems. Andrew will also be responsible for drafting design and construction documents and will assist with the review of submittal documents and the commissioning of rigging and lighting systems.    <\/p><p>Andrew joins TPC from the School of Theatre at Florida State University where he was Master Carpenter\/Assistant Shop Manager.  His production credits at FSU include technical direction for <i>The Philadelphia Story<\/i> and <i>5th of July<\/i>, and assistant technical direction for both <i>Urinetown<\/i> and <i>Evita<\/i>. Andrew also has lighting and sound production design experience.  <\/p><p>Andrew received his MFA in Theatrical Technical Production from Florida State University and his BFA in Theatre Design\/Technology from Otterbein College. <\/p>","desc":"Theatre Projects welcomes Andrew Hagan to our technical production team.    Andrew is well versed in the engineering aspects of stage construction and design and brings a decade of ..."},{"id":"152","date_start":"February 11, 2008","title":"Millie Dixon and Jules Lauve join the ASTC","photo":"\/files\/news_items\/astc_thumb.jpg","body":"<p>Theatre Projects Consultants is pleased to announce that <a href=\"\/people\/leadership\/profile\/13\" target=\"_blank\" mce_href=\"\/people\/leadership\/profile\/13\">Millie Dixon<\/a> (TPC Principal) and <a href=\"\/people\/senior_staff\/profile\/19\" target=\"_blank\" mce_href=\"\/people\/senior_staff\/profile\/19\">Jules Lauve<\/a> (TPC Associate) were voted into the <a href=\"http:\/\/www.theatreconsultants.org\" mce_href=\"http:\/\/www.theatreconsultants.org\" target=\"0\"> American Society of Theatre Consultants<\/a> (ASTC) at the ASTC Forum '07.<\/p>\r\n\r\n<p>Millie has been with Theatre Projects since 1997, initially working as a performance equipment specialist and then as a project manager.<\/p><p>Her projects for TPC include: <a href=\"\/projects\/item\/*136\" class=\"lightwindow\" params=\"lightwindow_width=820,lightwindow_height=600,lightwindow_type=external\">Tempe Center for the Arts<\/a>, AZ, <a href=\"\/projects\/item\/*154\" class=\"lightwindow\" params=\"lightwindow_width=820,lightwindow_height=600,lightwindow_type=external\">Woolly Mammoth Theatre<\/a> in Washington, D.C., <a href=\"\/projects\/item\/*115\" class=\"lightwindow\" params=\"lightwindow_width=820,lightwindow_height=600,lightwindow_type=external\">RiverCenter for the Performing Arts<\/a> in Columbus, GA, Lincoln Center Capital Needs Study in New York, and <a href=\"\/projects\/item\/*79\" class=\"lightwindow\" params=\"lightwindow_width=820,lightwindow_height=600,lightwindow_type=external\">Kimmel Center for the Performing Arts<\/a> in Philadelphia.<\/p><p>She is currently working on the <a href=\"\/projects\/item\/*102\" class=\"lightwindow\" params=\"lightwindow_width=820,lightwindow_height=600,lightwindow_type=external\">Dr. P. Phillips Orlando Performing Arts Center<\/a> in Orlando, the Stanley Theatre Renovation in Utica, NY, as well as projects in Dubai and Saudi Arabia.<\/p>\r\n\r\n<p>Jules joined TPC in 2001 with more than twenty-five years experience in the entertainment industry. He has managed entertainment operations for numerous large-scale projects and has designed scenery and lighting for many regional opera and ballet companies.<\/p><p>As a project manager in TPC's US office, his projects include: Kennedy Center for the Performing Arts Master Plan in Washington. D.C., Wynn Las Vegas Grail Theater (Spamalot), <a href=\"\/projects\/item\/*126\" class=\"lightwindow\" params=\"lightwindow_width=820,lightwindow_height=600,lightwindow_type=external\">Southeast Missouri University Performing Arts Center<\/a> in Cape Girardeau, MO, <a href=\"\/projects\/item\/*68\" class=\"lightwindow\" params=\"lightwindow_width=820,lightwindow_height=600,lightwindow_type=external\">Auditorio Telmex<\/a> at the University of Guadalajara in Mexico, and Tokyo Disney Resort Theatre - Cirque du Soleil in Japan.<\/p><p>He is currently working on the <a href=\"\/projects\/item\/*49\" class=\"lightwindow\" params=\"lightwindow_width=820,lightwindow_height=600,lightwindow_type=external\">Margot and Bill Winspear Opera House<\/a> at the Dallas Center for the Performing Arts, <a href=\"\/projects\/item\/*114\" class=\"lightwindow\" params=\"lightwindow_width=820,lightwindow_height=600,lightwindow_type=external\">Richmond CenterStage<\/a> in Richmond, VA, and several commercial entertainment projects in Macau and Dubai.<\/p>\r\n\r\n<p>Mille and Jules join TPC's current members of ASTC including <a href=\"\/people\/senior_staff\/profile\/22\" target=\"_blank\" mce_href=\"\/people\/senior_staff\/profile\/22\">Scott Crossfield<\/a>, <a href=\"\/people\/leadership\/profile\/14\" target=\"_blank\" mce_href=\"\/people\/leadership\/profile\/14\">Benton Delinger<\/a>, <a href=\"\/people\/staff\/profile\/35\" target=\"_blank\" mce_href=\"\/people\/staff\/profile\/35\">Michael Ferguson<\/a>, <a href=\"\/people\/leadership\/profile\/11\" target=\"_blank\" mce_href=\"\/people\/leadership\/profile\/11\">Gene Leitermann<\/a> and <a href=\"\/people\/leadership\/profile\/6\" target=\"_blank\" mce_href=\"\/people\/leadership\/profile\/6\">David Rosenburg<\/a>.<i><br><\/i><\/p>\r\n\r\n<p><i>The primary objective of the ASTC is to inform owners, users, and planners about the services that theatre consultants offer and about the value of those services to the achievement of effective and economically viable performance and assembly facilities, whether large or small, whether new construction or remodeling\/renovation project.<\/i><\/p>\r\n\r\n<p><i>The Members of the ASTC are professional theatre consultants who have demonstrated a broad range of capability and experience necessary to qualify for membership. As professionals, ASTC members have individual and collective interests in providing unbiased, functionally sound and practical consulting and design services to owners, users, architects, and engineers or performance and assembly facilities. These interests are reflected in the objectives and programs of the Society.<\/i> <\/p><br>","desc":"Theatre Projects Consultants is pleased to announce that Millie Dixon (TPC Principal) and Jules Lauve (TPC Associate) were voted into the  American Society of Theatre Consultants ( ..."},{"id":"151","date_start":"January 30, 2008","title":"Richard Pilbrow and Tony Walton design A Tale of Two Cities","photo":"\/files\/news_items\/taleoftwo2-thumb.jpg","body":"<p><a href=\"\/people\/senior_staff\/profile\/26\" target=\"_blank\" mce_href=\"\/people\/senior_staff\/profile\/26\">Richard Pilbrow<\/a>, Founder and Chairman Emeritus of Theatre Projects, recently finished work on the pre-Broadway run of, <i>A Tale of Two Cities<\/i>, with Sarasota's Asolo Repertory Theatre (October 26th -November 18th).  Playing to a sold-out house night after night, the classic tale thrilled both critics and audience members alike.  As lighting designer, Richard subtly brought the stage to life.  \"Richard Pilbrow's expressionistic lighting creates a whole world of indignant fantasy,\" Mark E. Lieb, <i>Creative Loafing<\/i>, Sarasota.      <\/p><p><img src=\"\/files\/news\/people\/taleoftwo1.jpg\" mce_src=\"\/files\/news\/people\/taleoftwo1.jpg\" alt=\"\" vspace=\"\" width=\"325\" align=\"absmiddle\" border=\"\" height=\"244\" hspace=\"\">    <\/p><p>Richard rejoined with Tony Walton, award-winning scene designer and a former Theatre Projects director, in this exciting production.  As with many of the projects they have worked on together (including most recently American Ballet Theatre's production of <i>Sleeping Beauty<\/i> at The Metropolitan Opera), the duo continues to mesmerize audiences: \"...spectacular scenery and lighting designs... bound-for-Broadway,\" January Holmes, <i>Bradenton Herald<\/i>.      <\/p><p><img src=\"\/files\/news\/people\/taleoftwo2.jpg\" mce_src=\"\/files\/news\/people\/taleoftwo2.jpg\" alt=\"\" vspace=\"\" width=\"325\" align=\"absmiddle\" border=\"\" height=\"223\" hspace=\"\">       <\/p><p>In addition to their recent engagements, some of Richard and Tony's collaborations include: \"A Funny Thing Happened on the Way to the Forum\" (1963), \"Four Baboons Adoring the Sun\" Lincoln Center Theatre (1992), which also earned a Lighting Tony nomination, \"Our Town\" with Paul Newman Westport Playhouse (2002), and \"The Boy Friend\" Goodspeed Musical Theatre and National US Tour (2004) directed by Julie Andrews.    <\/p><p><i>A Tale of Two Cities<\/i> was performed in the <a href=\"\/projects\/item\/*161\" class=\"lightwindow\" params=\"lightwindow_width=820,lightwindow_height=600,lightwindow_type=external\">Mertz Theatre<\/a> in the FSU Center for the Performing Arts (Sarasota, FL).  Theatre Projects was the theatre design consultant for this project and played a primary role in arranging the acquisition and restoration of the original auditorium of the 1903\/1921 Dunfermline Opera House (Dunfermline, Scotland).  This historic auditorium, now the Mertz Theatre, was then reconstructed inside the new facility.    <\/p><p><img src=\"\/files\/news\/people\/taleoftwo3.jpg\" mce_src=\"\/files\/news\/people\/taleoftwo3.jpg\" alt=\"\" vspace=\"\" width=\"325\" align=\"absmiddle\" border=\"\" height=\"224\" hspace=\"\"> <br><i>Mertz Theatre, FSU Center for the Performing Arts<\/i>    <\/p>","desc":"Richard Pilbrow, Founder and Chairman Emeritus of Theatre Projects, recently finished work on the pre-Broadway run of, A Tale of Two Cities, with Sarasota's Asolo Repertory Theatre ..."},{"id":"150","date_start":"December 20, 2007","title":"Tony Forman Joins Theatre Projects","photo":"\/files\/news_items\/forman-rgb-thumb.jpg","body":"Theatre Projects Consultants, Inc (TPC) is pleased to welcome <a href=\"\/people\/staff\/senior_consultants\/profile\/36\" target=\"_blank\" mce_href=\"\/people\/staff\/senior_consultants\/profile\/36\">Tony Forman<\/a> as our newest project manager in our US office.<br><br>Tony has over 25 years of experience working in international, regional, and collegiate theatre.  His responsibilities at TPC include project management, programming, theatre planning, and advice on both facility management and operations.<br><br>\"I am excited to apply my accumulated experience in production, administration and community cultural organizing to the work of TPC. Building or renovating a performance space has always been a keen interest of mine, and I now feel well suited to this unique endeavor.  I am thrilled to be part of the team.\"<br><br>Tony's diverse background brings a wide variety of skills to Theatre Projects.  Most recently, Tony served as the Executive Director for the Cultural Alliance of Greater Milwaukee, establishing a start-up organization.  Created to foster collaborative activity and to strengthen the cultural sector in the seven-county metropolitan area, the Cultural Alliance conducts advocacy, fundraising, marketing, and research for the cultural industry.<br><br>Tony had his first encounter with Theatre Projects when he was the Managing Director of the Madison Repertory Theatre.  He recalls, \"As Managing Director of Madison Repertory Theatre I was fortunate to have the opportunity to participate in the design of the Playhouse in the <a href=\"\/projects\/item\/*9\" mce_href=\"\/projects\/item\/*9\" class=\"lightwindow\" params=\"lightwindow_width=820,lightwindow_height=600,lightwindow_type=external\">Overture Center for the Arts<\/a> in Madison, Wisconsin. In the course of that project I worked closely with TPC and greatly respected the work they did on such a large project.\"<br><br>As the General Manager for the California Institute of the Arts, Theatre School (Valencia, CA), Tony reorganized curricula for both graduate and undergraduate production programs.  In addition to recruiting nationally known faculty and staff, he worked directly with the students while teaching graduate and undergraduate courses in producing, production management, and technical theatre.<br><br>Tony also brings past experience as the Production Manager for both the Great Lakes Theatre Festival (Cleveland) and the Goodspeed Opera House (E.Haddam, CT), and as the Assistant Technical Director for the New York City Opera.","desc":"Theatre Projects Consultants, Inc (TPC) is pleased to welcome Tony Forman as our newest project manager in our US office.Tony has over 25 years of experience working in  ..."},{"id":"141","date_start":"June 5, 2007","title":"Promotions at Theatre Projects","photo":"\/files\/news_items\/group_photo_thumb.jpg","body":"<p>Theatre Projects Consultants (TPC) is pleased to announce the promotions of <a href=\"\/people\/leadership\/profile\/6\" target=\"_blank\" mce_href=\"\/people\/leadership\/profile\/6\">David H. Rosenburg<\/a> to Associate Principal, and <a href=\"\/people\/leadership\/profile\/21\" target=\"_blank\" mce_href=\"\/people\/leadership\/profile\/21\">Tom Davis<\/a>, <a href=\"\/people\/leadership\/profile\/13\" target=\"_blank\" mce_href=\"\/people\/leadership\/profile\/13\">Millie Dixon<\/a>, <a href=\"\/people\/senior_staff\/profile\/20\" target=\"_blank\" mce_href=\"\/people\/senior_staff\/profile\/20\">Leonard Greenwood<\/a> and <a href=\"\/people\/senior_staff\/profile\/19\" target=\"_blank\" mce_href=\"\/people\/senior_staff\/profile\/19\">Jules Lauve III<\/a> to Associates.  These promotions acknowledge the contributions made by these individuals and reflect their importance to the future success of Theatre Projects.<\/p><p><img src=\"\/files\/news\/people\/group_photo.jpg\" mce_src=\"\/files\/news\/people\/group_photo.jpg\" alt=\"\" vspace=\"\" width=\"325\" align=\"absmiddle\" border=\"\" height=\"237\" hspace=\"\"><\/p><p><i>L to R: <a href=\"\/people\/leadership\/profile\/6\" target=\"_blank\" mce_href=\"\/people\/leadership\/profile\/6\">David H. Rosenburg<\/a> (Associate Principal), <a href=\"\/people\/senior_staff\/profile\/20\" target=\"_blank\" mce_href=\"\/people\/senior_staff\/profile\/20\">Leonard Greenwood<\/a>\r\n(Associate), <a href=\"\/people\/leadership\/profile\/21\" target=\"_blank\" mce_href=\"\/people\/leadership\/profile\/21\">Tom Davis<\/a> (Associate), <a href=\"\/people\/leadership\/profile\/13\" target=\"_blank\" mce_href=\"\/people\/leadership\/profile\/13\">Millie Dixon<\/a> (Associate), and <a href=\"\/people\/senior_staff\/profile\/19\" target=\"_blank\" mce_href=\"\/people\/senior_staff\/profile\/19\">Jules\r\nLauve III<\/a> (Associate) <\/i>  <\/p><p>Photo credit: Dan Howell &amp; Peter Schiazza <br><\/p><p><br>\r\n\r\n<\/p><p><b><a href=\"\/people\/leadership\/profile\/6\" target=\"_blank\" mce_href=\"\/people\/leadership\/profile\/6\">David Rosenburg<\/a>, Associate Principal<\/b>  <br>David has been with TPC for 10 years working in the US office as a project manager on such projects as: the <a href=\"\/projects\/item\/*3\" class=\"lightwindow\" params=\"lightwindow_width=820,lightwindow_height=600,lightwindow_type=external\">Walt Disney Concert Hall<\/a> in Los Angeles, the <a href=\"\/projects\/item\/*81\" class=\"lightwindow\" params=\"lightwindow_width=820,lightwindow_height=600,lightwindow_type=external\">Kirk Douglas Theatre<\/a> for Center Theatre Group in Culver City, CA, <a href=\"\/projects\/item\/*139\" class=\"lightwindow\" params=\"lightwindow_width=820,lightwindow_height=600,lightwindow_type=external\">Glorya Kaufman Hall<\/a> at UCLA, the <a href=\"\/projects\/item\/*156\" class=\"lightwindow\" params=\"lightwindow_width=820,lightwindow_height=600,lightwindow_type=external\">Young Centre for the Performing Arts<\/a> in Toronto, and the <a href=\"\/projects\/item\/*149\" class=\"lightwindow\" params=\"lightwindow_width=820,lightwindow_height=600,lightwindow_type=external\">Arthur Miller Theatre<\/a> at the University of Michigan.  He is currently working on the <a href=\"\/projects\/item\/*2\" class=\"lightwindow\" params=\"lightwindow_width=820,lightwindow_height=600,lightwindow_type=external\">Cobb Energy Performing Arts Centre<\/a> in Atlanta, City College of San Francisco Performing Arts Complex, and James Madison University Center for the Arts in Harrisburg, VA.<\/p><p>David has an extensive background working as a theatre lighting designer, technical director, and stage manager.  David was the Associate Lighting Designer for the Broadway production of Our Town with Paul Newman.  David holds a BFA and an MFA in Theatre Lighting Design from Boston University.  He is a member of the American Society of Theatre Consultants and the ESTA Flooring Working Group.<b><br><\/b>\r\n\r\n<\/p><p><b><a href=\"\/people\/leadership\/profile\/21\" target=\"_blank\" mce_href=\"\/people\/leadership\/profile\/21\">Tom Davis<\/a>, Associate<\/b>  <br>Since joining TPC's London office in 2004, Tom has worked on diverse projects all over the world, including the <a href=\"\/projects\/item\/*103\" class=\"lightwindow\" params=\"lightwindow_width=820,lightwindow_height=600,lightwindow_type=external\">Peepul Centre<\/a> in Leicester, UK, <a href=\"\/projects\/item\/*157\" class=\"lightwindow\" params=\"lightwindow_width=820,lightwindow_height=600,lightwindow_type=external\">Yong Siew Toh Conservatory of Music<\/a> in Singapore, <a href=\"\/projects\/item\/*4\" class=\"lightwindow\" params=\"lightwindow_width=820,lightwindow_height=600,lightwindow_type=external\">Emirates Palace<\/a> in Abu Dhabi, UAE, Heritage Village Theatre in Abu Dhabi, UAE, and <a href=\"\/projects\/item\/*108\" class=\"lightwindow\" params=\"lightwindow_width=820,lightwindow_height=600,lightwindow_type=external\">Qatar Education City<\/a> in Doha, Qatar.  Tom is currently working on a new <a href=\"\/projects\/item\/*8\" class=\"lightwindow\" params=\"lightwindow_width=820,lightwindow_height=600,lightwindow_type=external\">opera house<\/a> for Den Norske Opera in Oslo, Norway, the <a href=\"\/projects\/item\/*87\" class=\"lightwindow\" params=\"lightwindow_width=820,lightwindow_height=600,lightwindow_type=external\">Arena &amp; Convention Centre, Liverpool<\/a>, UK, and <a href=\"\/projects\/item\/*134\" class=\"lightwindow\" params=\"lightwindow_width=820,lightwindow_height=600,lightwindow_type=external\">Suzhou Science &amp; Cultural Arts Centre<\/a> in China.<\/p><p>Tom is an expert in designing and building sound, audio-visual and lighting systems in theatres and performance venues.  Tom holds a BA (Hons) in Physics from the University of Birmingham, England and is a member of the Association of British Theatre Technicians.<b><br><\/b><\/p>\r\n\r\n<p><b><a href=\"\/people\/leadership\/profile\/13\" target=\"_blank\" mce_href=\"\/people\/leadership\/profile\/13\">Millie Dixon<\/a>, Associate<\/b>  <br>Millie has been with TPC since 1997, initially working as a performance equipment specialist and then as a project manager in the US office.  Her projects for TPC include: <a href=\"\/projects\/item\/*154\" class=\"lightwindow\" params=\"lightwindow_width=820,lightwindow_height=600,lightwindow_type=external\">Woolly Mammoth Theatre<\/a> in Washington, D.C., <a href=\"\/projects\/item\/*115\" class=\"lightwindow\" params=\"lightwindow_width=820,lightwindow_height=600,lightwindow_type=external\">RiverCenter for the Performing Arts<\/a> in Columbus, GA, Lincoln Center Capital Needs Study in New York, <a href=\"\/projects\/item\/*79\" class=\"lightwindow\" params=\"lightwindow_width=820,lightwindow_height=600,lightwindow_type=external\">Kimmel Center for the Performing Arts<\/a> in Philadelphia, and Ordway Center for the Performing Arts Concept and Planning Study in St. Paul, MN.  She is currently working on the <a href=\"\/projects\/item\/*136\" class=\"lightwindow\" params=\"lightwindow_width=820,lightwindow_height=600,lightwindow_type=external\">Tempe Center for the Arts<\/a> in Tempe, AZ, Whitney Museum of American Art Expansion in New York, and Concordia International School Arts Pavilion in Shanghai.<\/p><p>Millie is an experienced arts center operations manager, and prior to joining TPC Millie was the Director of Operations for the <a href=\"\/projects\/item\/*37\" class=\"lightwindow\" params=\"lightwindow_width=820,lightwindow_height=600,lightwindow_type=external\">Cerritos Center for the Performing Arts<\/a> in Cerritos, CA.  Millie holds a BFA degree in Design\/Technical Theatre from the University of Montana.  She is an active member of the United States Institute for Theatre Technology and the International Association of Auditorium Managers.<b><br><\/b><\/p>\r\n\r\n<p><b><a href=\"\/people\/senior_staff\/profile\/20\" target=\"_blank\" mce_href=\"\/people\/senior_staff\/profile\/20\">Leonard Greenwood<\/a>, Associate<\/b>  <br>Leonard joined TPC's London office in 1989 with a track record of some 20 years in the world of performing arts, having previously worked for the Bolton Octagon Theatre Company, Ipswich Arts Theatre and the Yvonne Arnaud Theatre in Guildford.  He began working as a theatre consultant in 1979.<\/p><p>He has worked on over 25 projects for Theatre Projects, including <a href=\"\/projects\/item\/*5\" class=\"lightwindow\" params=\"lightwindow_width=820,lightwindow_height=600,lightwindow_type=external\">Esplanade - Theatres on the Bay<\/a> in Singapore, <a href=\"\/projects\/item\/*26\" class=\"lightwindow\" params=\"lightwindow_width=820,lightwindow_height=600,lightwindow_type=external\">Birmingham Repertory Theatre<\/a>, UK, <a href=\"\/projects\/item\/*170\" class=\"lightwindow\" params=\"lightwindow_width=820,lightwindow_height=600,lightwindow_type=external\">Edinburgh Festival Theatre<\/a>, UK, <a href=\"\/projects\/item\/*63\" class=\"lightwindow\" params=\"lightwindow_width=820,lightwindow_height=600,lightwindow_type=external\">Glyndebourne Opera House<\/a> in Sussex, UK, and the <a href=\"\/projects\/item\/*72\" class=\"lightwindow\" params=\"lightwindow_width=820,lightwindow_height=600,lightwindow_type=external\">Hong Kong Cultural Centre<\/a>.  He is currently working on the <a href=\"\/projects\/item\/*101\" class=\"lightwindow\" params=\"lightwindow_width=820,lightwindow_height=600,lightwindow_type=external\">Onassis House of Letters and Arts<\/a> in Athens, Greece, the <a href=\"\/projects\/item\/*80\" class=\"lightwindow\" params=\"lightwindow_width=820,lightwindow_height=600,lightwindow_type=external\">Aksra Theatre<\/a>\r\nat the King Power Complex in Bangkok, Thailand, and <a href=\"\/projects\/item\/*17\" class=\"lightwindow\" params=\"lightwindow_width=820,lightwindow_height=600,lightwindow_type=external\">Le Quai<\/a>, a regional cultural centre in Angers, France.<\/p><p>Leonard is a specialist in theatre planning, particularly stage, backstage and workshop facilities, including stage management requirements.  He is a long-standing member of the Society of Theatre Consultants, the Association of British Theatre Technicians, and British Actors' Equity.<b><br><\/b><\/p>\r\n\r\n<p><b><a href=\"\/people\/senior_staff\/profile\/19\" target=\"_blank\" mce_href=\"\/people\/senior_staff\/profile\/19\">Jules Lauve<\/a>, Associate<\/b>  <br>Jules joined Theatre Projects in 2001 with more than twenty-five years experience in the entertainment industry.  He has managed entertainment operations for numerous large-scale projects and has designed scenery and lighting for many regional opera and ballet companies.<\/p><p>As a project manager in TPC's US office, his projects include: Kennedy Center for the Performing Arts Master Plan in Washington. D.C., Wynn Las Vegas Grail Theater (Spamalot), <a href=\"\/projects\/item\/*126\" class=\"lightwindow\" params=\"lightwindow_width=820,lightwindow_height=600,lightwindow_type=external\">Southeast Missouri University Performing Arts Center<\/a> in Cape Girardeau, MO, <a href=\"\/projects\/item\/*68\" class=\"lightwindow\" params=\"lightwindow_width=820,lightwindow_height=600,lightwindow_type=external\">Auditorio Telmex<\/a> at the University of Guadalajara in M\u00e9xico, and Tokyo Disney Resort Theatre - Cirque du Soleil in Japan.  He is currently working on the <a href=\"\/projects\/item\/*49\" class=\"lightwindow\" params=\"lightwindow_width=820,lightwindow_height=600,lightwindow_type=external\">Margot and Bill Winspear Opera House<\/a> at the Dallas Center for the Performing Arts, Richmond CenterStage in Richmond, VA, and several commercial entertainment projects in Macau and Dubai.<\/p><p>Jules holds a BFA in Theatre from Stephen F. Austin State University and attended the MFA program at the University of Southern California.  He is an active lighting designer for opera.   <\/p>","desc":"Theatre Projects Consultants (TPC) is pleased to announce the promotions of David H. Rosenburg to Associate Principal, and Tom Davis, Millie Dixon, Leonard Greenwood and Jules  ..."},{"id":"134","date_start":"April 16, 2007","title":"John Coyne Nominated for an Elliot Norton Award for Outstanding Design","photo":"\/files\/news_items\/coyne-rgb-thumb.jpg","body":"<p><a href=\"\/people\/leadership\/profile\/83\" target=\"_blank\" mce_href=\"\/people\/leadership\/profile\/83\">John Coyne<\/a> (TPC Director of Design, US office) has been nominated for an Elliot Norton Award for Outstanding Design for his scene design work on <i>The Taming of the Shrew<\/i> for the Commonwealth Shakespeare Company in Boston. John is nominated with Clint Ramos, costume designer.  <\/p><p><img src=\"\/files\/news\/people\/jc-shrew.jpg\" mce_src=\"\/files\/news\/people\/jc-shrew.jpg\" alt=\"\" vspace=\"\" width=\"325\" align=\"absmiddle\" border=\"\" height=\"215\" hspace=\"\">  <\/p><p>The Elliot Norton Awards honor excellence in New England Theatre and are named for Boston's own dean of American drama critics, Elliot Norton.  <\/p><p>Other nominees in the Outstanding Design, Large Company category include: <\/p><ul> <li>Eugene Lee (set) and Mauritius (Huntington Theatre Company) for their work on <i>Wicked<\/i> for Broadway Across America\/Boston <\/li><li>Christine Jones (set) and Justin Townsend (lighting) for their work on <i>The Onion Cellar<\/i>  for the American Repertory Theatre <\/li><\/ul>  <p><br><\/p><p>The 25th annual Elliot Norton Awards will be held on Monday, May 21, 2007 at the Cutler Majestic Theatre at Emerson College. <\/p>","desc":"John Coyne (TPC Director of Design, US office) has been nominated for an Elliot Norton Award for Outstanding Design for his scene design work on The Taming of the Shrew for the  ..."},{"id":"136","date_start":"April 16, 2007","title":"A Theatre Projects Reunion in Las Vegas","photo":"\/files\/news_items\/vegas-reunion-thumb.jpg","body":"<p><a href=\"\/people\/senior_staff\/profile\/26\" target=\"_blank\" mce_href=\"\/people\/senior_staff\/profile\/26\">Richard Pilbrow<\/a>, David Collison, and Richard Brett visited seven of the principle Las Vegas theatrical spectaculars in March. This was a reunion for three old friends and of the founders of Theatre Projects in lighting, sound and theatre consulting.  \r\n\r\n<\/p><img src=\"\/files\/news\/people\/vegas-reunion.jpg\" mce_src=\"\/files\/news\/people\/vegas-reunion.jpg\" alt=\"\" vspace=\"\" width=\"325\" align=\"absmiddle\" border=\"\" height=\"241\" hspace=\"\"> <br><i>Richard Brett (theatre consulting), <a href=\"\/people\/senior_staff\/profile\/26\" target=\"_blank\" mce_href=\"\/people\/senior_staff\/profile\/26\">Richard Pilbrow<\/a> (lighting), and David Collison (sound)<\/i>  \r\n\r\n<p><a href=\"\/people\/senior_staff\/profile\/26\" target=\"_blank\" mce_href=\"\/people\/senior_staff\/profile\/26\"><b>Richard Pilbrow<\/b><\/a> founded Theatre Projects in 1957.  Today he is the Founder and Chairman Emeritus of Theatre Projects Consultants and is one of the world's leading theatre consultants, a theatre, film and television producer, and an internationally known author and stage lighting designer. Under his leadership, Theatre Projects has become the pre-eminent theatre consulting organization in the world, with over 1,000 projects in 60 countries.  \r\n\r\n<\/p><p><b>David Collison<\/b> joined Richard Pilbrow in the fledgling company, Theatre Projects, in 1959 and became managing director of the Theatre Projects group in 1985. During the 1970s and 1980s, as one of the world's foremost theatre sound designers (the first person to be credited with that title), he worked on more than seventy musicals. As part of the Theatre Projects consultancy team, he designed sound systems for the <a href=\"\/projects\/item\/*48\" class=\"lightwindow\" params=\"lightwindow_width=820,lightwindow_height=600,lightwindow_type=external\">National Theatre of Great Britain<\/a>, the Barbican Theatre and many other theatres and concert halls in the UK and abroad - inaugurating a number of technical innovations. In 1988 he formed Adventure Projects to specialize in multi-media presentations, themed exhibitions, and historical interpretation. He has also written and directed numerous video films. David's book, <i>Stage Sound<\/i> was published in 1976 with a second edition in 1982. He is currently writing a new book on the history of sound in the theatre to be published in 2007.  \r\n\r\n<\/p><p><b>Richard Brett<\/b> was the first Managing Director of Theatre Projects Consultants from 1965 to 1985. As a qualified engineer from the British Broadcasting corporation he brought professional engineering standards to TPC and led the development of countless innovations such as the National Theatre's computerized power flying spot-line system, the famous drum revolving stage and the lighting control, Lightboard; with the first use of air castors in the theatre to move architectural elements in <a href=\"\/projects\/item\/*51\" class=\"lightwindow\" params=\"lightwindow_width=820,lightwindow_height=600,lightwindow_type=external\">Derngate<\/a>, Northampton. Richard is the head of Theatreplan LLP, who have been responsible for some of the most sophisticated theatre installations in the world including the Royal Opera House, Covent Garden, the Gran Teatro del Liceo, Barcelona and the new Opera House in Copenhagen. <\/p>","desc":"Richard Pilbrow, David Collison, and Richard Brett visited seven of the principle Las Vegas theatrical spectaculars in March. This was a reunion for three old friends and of the  ..."},{"id":"133","date_start":"April 2, 2007","title":"Scott Crossfield Joins Theatre Projects","photo":"","body":"<p>Theatre Projects Consultants, Inc. (TPC) is pleased to announce that <a href=\"\/people\/senior_staff\/profile\/22\" target=\"_blank\" mce_href=\"\/people\/senior_staff\/profile\/22\">Scott Crossfield<\/a> has joined its US office.  <\/p><p><a href=\"\/people\/senior_staff\/profile\/22\" target=\"_blank\" mce_href=\"\/people\/senior_staff\/profile\/22\">Crossfield<\/a> has been a theatre consultant for 11 years and is a former principal of the theatre consulting firm Davis Crossfield Associates. At TPC he will specialize in auditorium design and theatre planning, working as a senior consultant in TPC's design department with <a href=\"\/people\/leadership\/profile\/83\" target=\"_blank\" mce_href=\"\/people\/leadership\/profile\/83\">John Coyne<\/a>, director of design, and <a href=\"\/people\/senior_staff\/profile\/24\" target=\"_blank\" mce_href=\"\/people\/senior_staff\/profile\/24\">Brian Hall<\/a>, principal theatre designer.   <\/p><p>\"I have been a long-time fan of TPC's work, which I believe is reflected in many of the theatres that I have designed, and thus my desire to work at TPC,\" explains <a href=\"\/people\/senior_staff\/profile\/22\" target=\"_blank\" mce_href=\"\/people\/senior_staff\/profile\/22\">Crossfield<\/a>, \"I am excited and proud to be joining the company, which I consider the best in the world. I am looking forward to sharing experiences, stories, and ideas and am especially looking forward to collaborating with such a talented group of people.\"  <\/p><p><a href=\"\/people\/senior_staff\/profile\/22\" target=\"_blank\" mce_href=\"\/people\/senior_staff\/profile\/22\">Crossfield<\/a> has consulted on the design and construction of over 200 theatre projects in the US and abroad, including: Playwrights Horizons, 42nd Street in New York City, Contemporary American Theater Festival in Shepherdstown, WV, Southwest Center for the Performing Arts in Amarillo, TX, Two River Theater Company in Redbank, NJ, Teatro Paramount in San Turce, Puerto Rico, Bratton Theater at the Chautauqua Institute in Chautauqua, NY, and Progress Energy Center for the Performing Arts in Raleigh, NC.  <\/p><p>He is a member of the American Society of Theatre Consultants, the United States Institute for Theatre Technology, the League of Historic American Theaters, the Theatre Historical Society of America, and the Construction Specification Institute. <a href=\"\/people\/senior_staff\/profile\/22\" target=\"_blank\" mce_href=\"\/people\/senior_staff\/profile\/22\">Crossfield<\/a> holds a BFA in Drama from Carnegie Mellon University. <\/p>","desc":"Theatre Projects Consultants, Inc. (TPC) is pleased to announce that Scott Crossfield has joined its US office.  Crossfield has been a theatre consultant for 11 years and is a  ..."},{"id":"131","date_start":"January 29, 2007","title":"David Staples Honoured with ISPA Award","photo":"\/files\/news_items\/news_189.jpg","body":"<p>Theatre Projects Consultants is pleased to announce that <a href=\"\/people\/leadership\/profile\/8\" target=\"_blank\" mce_href=\"\/people\/leadership\/profile\/8\">David Staples<\/a> has been awarded the Patrick Hayes Award by the International Society of Performing Arts Foundation (ISPA).  David was presented with the award on 16th January during ISPA's January conference in New York at a special awards dinner.<\/p><p><img src=\"\/files\/news\/people\/david-staples-ispa.jpg\" mce_src=\"\/files\/news\/people\/david-staples-ispa.jpg\" alt=\"\" vspace=\"\" width=\"325\" align=\"absmiddle\" border=\"\" height=\"217\" hspace=\"\"><\/p><p>The award is named after the founding president of ISPA and recognises an ISPA member of long standing whose achievements in arts management are deserving of special praise and recognition. <a href=\"\/people\/leadership\/profile\/8\" target=\"_blank\" mce_href=\"\/people\/leadership\/profile\/8\"> Staples <\/a>comments that \"ISPA is a community of people with a shared passion for the performing arts.  To receive the Patrick Hayes Award from my peers, colleagues and friends is a special honour.\"  This award is particularly important to Theatre Projects, as it is the second time ISPA has recognised the achievements of our staff - the only organisation to have been honoured twice with this award.<\/p><p>David joined Theatre Projects in 1974 and was appointed Managing Director in 1985.  He is a vastly experienced theatre consultant, having worked in over fifty countries.  His projects include <a href=\"\/projects\/item\/*89\" class=\"lightwindow\" params=\"lightwindow_width=820,lightwindow_height=600,lightwindow_type=external\">The Lowry<\/a> in Salford, England; <a href=\"\/projects\/item\/*37\" class=\"lightwindow\" params=\"lightwindow_width=820,lightwindow_height=600,lightwindow_type=external\">Cerritos Center for the Performing Arts<\/a> in California, USA; <a href=\"\/projects\/item\/*5\" class=\"lightwindow\" params=\"lightwindow_width=820,lightwindow_height=600,lightwindow_type=external\">Esplanade - Theatres on the Bay<\/a> in Singapore, and <a href=\"\/projects\/item\/*4\" class=\"lightwindow\" params=\"lightwindow_width=820,lightwindow_height=600,lightwindow_type=external\">Emirates Palace<\/a> in Abu Dhabi, UAE.  David works with clients at the inception of projects in the preparation of briefs, development of the project, and selection of the design team. <\/p><br>","desc":"Theatre Projects Consultants is pleased to announce that David Staples has been awarded the Patrick Hayes Award by the International Society of Performing Arts Foundation (ISPA).   ..."},{"id":"129","date_start":"January 23, 2007","title":"Celebrating 50 Years of Theatre Projects","photo":"\/files\/news_items\/news_187.jpg","body":"<p>TPC kicked off its 50th year with a celebration in New York City.  The party was held on Monday, January 15th at the <a href=\"\/projects\/item\/*16\" class=\"lightwindow\" params=\"lightwindow_width=820,lightwindow_height=600,lightwindow_type=external\">American Airlines Theatre<\/a> on 42nd Street.<\/p><img src=\"\/files\/news\/people\/tpc-50party1.jpg\" mce_src=\"\/files\/news\/people\/tpc-50party1.jpg\" alt=\"\" vspace=\"\" width=\"325\" align=\"\" border=\"\" height=\"221\" hspace=\"\"><p><br><\/p><p>In typical TPC fashion, the elegant f\u00eate proved to be an entertaining, enjoyable, and comfortable melding of the architecture, theatre, and entertainment industries. The party was attended by over 250 guests including architects, theatre and entertainment professionals, TPC clients both past and present, acousticians, theatre consultants, TPC alumni, the media, and other friends of TPC.<br><br>Speeches and toasts were made by Emmy and Tony-winning set and costume designer Tony Walton, theatre architect Hugh Hardy of H3 Hardy Collaboration, and <a href=\"\/people\/leadership\/profile\/26\" target=\"_blank\" mce_href=\"\/people\/leadership\/profile\/26\">Richard Pilbrow<\/a>, TPC Founder and Chairman Emeritus.<\/p><img src=\"\/files\/news\/people\/tpc-50party2.jpg\" mce_src=\"\/files\/news\/people\/tpc-50party2.jpg\" alt=\"\" vspace=\"\" width=\"325\" align=\"absmiddle\" border=\"\" height=\"292\" hspace=\"\"><br><i><a href=\"\/people\/leadership\/profile\/26\" target=\"_blank\" mce_href=\"\/people\/leadership\/profile\/26\">Richard Pilbrow<\/a> looks on as Tony Walton talks about the 50 years of TPC<\/i><br><br>A twist to the evening came when some of TPC's alumni unexpectedly took over the podium and presented their own TPC \"poetry\" including such memorable lines as:<br><i>But tonight we know what the initials stand for   <br>\r\nWe're having a great time, with our trips to the bar  <br>The initials of TPC forever will be  <br>Known to stand for THE PARTY COMPANY!<\/i><i><br><br><\/i><br><img src=\"\/files\/news\/people\/tpc-50party4.jpg\" mce_src=\"\/files\/news\/people\/tpc-50party4.jpg\" alt=\"\" vspace=\"\" width=\"325\" align=\"absmiddle\" border=\"\" height=\"217\" hspace=\"\"><br><i>TPC Alumni: Alan Kibbe, Paul Turner, Bob Scales, Don Guyton and Duncan Webb<\/i><br><br>TPC was the theatre design consultant for the renovation of the American Airlines Theatre(formerly the Selwyn Theatre) which reopened in 2000 and is now home to the Roundabout Theatre Company.<br><br><b>Photos from the Event<\/b><br>Photos from the event are available for download for <b>editorial use only<\/b>. For other image uses or queries please contact <a href=\"\/people\/leadership\/profile\/18\" target=\"_blank\" mce_href=\"\/people\/leadership\/profile\/18\">Kristen Mathias<\/a> at TPC.<i><br><br><\/i><img src=\"\/files\/news\/people\/tpc-50party3.jpg\" mce_src=\"\/files\/news\/people\/tpc-50party3.jpg\" alt=\"\" vspace=\"\" width=\"325\" align=\"absmiddle\" border=\"\" height=\"204\" hspace=\"\"><br><i><a href=\"\/people\/staff\/profile\/63\" target=\"_blank\" mce_href=\"\/people\/staff\/profile\/63\">Ali Mignone<\/a> and <a href=\"\/people\/staff\/profile\/33\" target=\"_blank\" mce_href=\"\/people\/staff\/profile\/33\">Jill Collins<\/a> of TPC<\/i><b><br><br>Photo credit must accompany all images:   <\/b><b><br><br>Evan Messerli, Photographer.<br><\/b><p> To view and save photos:  <br> Click on this link: <a href=\"http:\/\/homepage.mac.com\/theatreprojects\" mce_href=\"http:\/\/homepage.mac.com\/theatreprojects\" target=\"_blank\"><font color=\"#999999\"><b>TPC 50th Anniversary Photos<\/b><\/font><\/a>  <br> Click on individual photos or view slide show.  <br> Right click on (large) image to save full size (6\"x4\" at 300 dpi) image. <br><\/p><p>Photos are available in larger formats upon request.    <\/p><p>The following abbreviations are used in the photo captions of the photo slide show:    <\/p>\r\n  CCR = Center for Creative Resources  <br>Eagles = Philadelphia Eagles   <br>EH = Engineering Harmonics  <br>FD = Fusion Design  <br>JH = Jaffe Holden  <br>PDO = Pook Diemont &amp; Ohl  <br>PRG = Production Resource Group  <br>REX = Ramus Ella Architects  <br>TCC = Theatre Consultants Collaborative  <br>TPC = Theatre Projects Consultants  <br>Vortex = Vortex Lighting  <br>WMS = Webb Management Services  <br><br><b>Contact Us<\/b>  <p>If you have any questions or require any additional information, please feel free to contact us.    <\/p><p><a href=\"\/people\/leadership\/profile\/18\" target=\"_blank\" mce_href=\"\/people\/leadership\/profile\/18\">Kristen Mathias<\/a>, Communication Manager  <br>T +1 203 299-0830  <br> <a href=\"mailto:kristenm@tpcworld.com\" mce_href=\"mailto:kristenm@tpcworld.com\">kristenm@tpcworld.com<\/a>  <\/p>\r\n<br>","desc":"TPC kicked off its 50th year with a celebration in New York City.  The party was held on Monday, January 15th at the American Airlines Theatre on 42nd Street.In typical TPC fashion ..."},{"id":"183","date_start":"January 15, 2007","title":"John Coyne reimagines the Globe ","photo":"\/files\/news_items\/news_183_thumb.jpg","body":"<p><a href=\"http:\/\/www.theatreprojects.com\/people\/leadership\/profile\/83\" target=\"_blank\" mce_href=\"http:\/\/www.theatreprojects.com\/people\/leadership\/profile\/83\">John Coyne<\/a>, our US office's director of design, was one of four designers commissioned by the National Building Museum to present their re-imagined concept of Shakespeare's Globe Theatre.\r\n\r\n<\/p><p>John Coyne explains, \"My concept was actually inspired by one of our\r\ncurrent theatre projects &mdash; the new interactive, multi-media concert\r\nhall for <a href=\"\/projects\/item\/*97\" class=\"lightwindow\" params=\"lightwindow_width=820,lightwindow_height=600,lightwindow_type=external\" mce_href=\"\/projects\/item\/*97\">New World Symphony<\/a>\r\nin Miami Beach. This is the future of theatre, bringing audiences and\r\nperformers together from all around the world to one event, without\r\nanyone having to travel.\"<\/p><p>For more about the exhibit:\r\n\r\n<br>New York Times article: <a href=\"http:\/\/www.nytimes.com\/2007\/01\/13\/theater\/13glob.html?emc=eta1\" target=\"_blank\" mce_href=\"http:\/\/www.nytimes.com\/2007\/01\/13\/theater\/13glob.html?emc=eta1\"><i>Imagining, and Reimagining, the Globe<\/i><\/a>\r\n\r\n<br>Smithsonian Magazine article: <a href=\"http:\/\/www.smithsonianmag.com\/arts-culture\/globe.html\" target=\"_blank\" mce_href=\"http:\/\/www.smithsonianmag.com\/arts-culture\/globe.html\"><i>At Building Museum, the Globe's the Thing<\/i><\/a>\r\n\r\n<br>Washington Post article: <a href=\"http:\/\/www.washingtonpost.com\/wp-dyn\/content\/article\/2007\/01\/18\/AR2007011800393_pf.html\" target=\"_blank\" mce_href=\"http:\/\/www.washingtonpost.com\/wp-dyn\/content\/article\/2007\/01\/18\/AR2007011800393_pf.html\"><i> Recasting Shakespeare's Stage<\/i><\/a>\r\n\r\n<br><a href=\"http:\/\/www.nbm.org\/exhibitions-collections\/exhibitions\/reinventing-the-globe.html\" target=\"_blank\" mce_href=\"http:\/\/www.nbm.org\/exhibitions-collections\/exhibitions\/reinventing-the-globe.html\">National Building Museum website<\/a><\/p>\r\n\r\n\r\n\r\n\r\n<p><img src=\"\/files\/news\/people\/news_183_02.jpg\" mce_src=\"http:\/\/www.theatreprojects.com\/files\/news\/people\/news_183_02.jpg\" alt=\"\" vspace=\"\" width=\"550\" align=\"\" border=\"\" height=\"389\" hspace=\"\"><\/p><p><img src=\"\/files\/news\/people\/news_183_01.jpg\" mce_src=\"http:\/\/www.theatreprojects.com\/files\/news\/people\/news_183_01.jpg\" alt=\"\" vspace=\"\" width=\"550\" align=\"\" border=\"\" height=\"285\" hspace=\"\"><\/p><p><img src=\"\/files\/news\/people\/news_183_03.jpg\" mce_src=\"http:\/\/www.theatreprojects.com\/files\/news\/people\/news_183_03.jpg\" alt=\"\" vspace=\"\" width=\"550\" align=\"\" border=\"\" height=\"238\" hspace=\"\"><\/p><p><img src=\"\/files\/news\/people\/news_183_04.jpg\" mce_src=\"http:\/\/www.theatreprojects.com\/files\/news\/people\/news_183_04.jpg\" alt=\"\" vspace=\"\" width=\"550\" align=\"\" border=\"\" height=\"347\" hspace=\"\"> <br><\/p>","desc":"John Coyne, our US office's director of design, was one of four designers commissioned by the National Building Museum to present their re-imagined concept of Shakespeare's Globe  ..."},{"id":"121","date_start":"October 10, 2006","title":"Press Release: Theatre Projects is an Investor in People","photo":"\/files\/news_items\/news_179.jpg","body":"Theatre Projects Consultants has been awarded the status of an Investor in People.  This award acknowledges that the company recognizes the importance of its people and values their contribution to its business to deliver a high level of service to clients throughout the world.<br><br>The Investors in People Standard is a national quality standard which sets a level of good practice for improving an organisation's performance through its people. It provides a framework for improving organisational performance and competitiveness through a planned approach to setting and communicating business objectives and developing people to meet these objectives.<br><br>The Standard was developed in 1990 by a group of organisations representing both employees and employers, and was launched nationally in 1991. In October 1993 Investors in People UK (IIP UK) was established as the body that would take responsibility for the Standard. Its purpose is to provide national ownership of the Standard and is responsible for its promotion, quality assurance and development. The Standard is subject to regular review and in November 2004 a revised Standard was brought in and launched, replacing the previous version.<br><br>The Standard is based on three key principles: <br><br><ul><li>Developing strategies to improve the performance of the organisation - an Investor in People develops effective strategies to improve the performance of the organisation through its people.<\/li><li>Taking action to improve the performance of the organisation - an Investor in People takes effective action to improve the performance of the organisation through its people.<\/li><li>Evaluation of the impact on the performance of the organisation - an Investor in People can demonstrate the impact of its investment in people on the performance of the organisation. <\/li><\/ul><br>Theatre Projects Consultants has recently been through a major re-structuring, buying out many of the founder owners of the company and establishing itself with a new leadership team.  The company wanted to put its people at the centre of its development enabling the company to be a truly owner managed business.<br><br>Theatre Projects Consultants has been established for almost fifty years and in that time it has delivered results to performing arts companies in over 50 countries.  Its success has always been its ability to develop ideas into practical solutions that are driven by the people who are the company<br><br><br><p><b>Contact Us<\/b> <\/p><p>If you have any questions or require any additional information, please feel free to contact us.  <\/p><p><a href=\"\/people\/leadership\/profile\/58\" target=\"_blank\" mce_href=\"\/people\/leadership\/profile\/58\">Ruth Smallshaw<\/a>, Marketing Coordinator <br>T +44 (0)20 7482 4224   <br> <a href=\"mailto:rs@tpcworld.net\" mce_href=\"mailto:rs@tpcworld.net\">rs@tpcworld.net<\/a> <\/p>","desc":"Theatre Projects Consultants has been awarded the status of an Investor in People.  This award acknowledges that the company recognizes the importance of its people and values  ..."},{"id":"120","date_start":"September 25, 2006","title":"Michael Ferguson Awarded Full ASTC Membership","photo":"","body":"<p>TPC's <a href=\"\/people\/leadership\/profile\/35\" target=\"_blank\" mce_href=\"\/people\/leadership\/profile\/35\">Michael Ferguson<\/a> was voted to full <a href=\"http:\/\/www.theatreconsultants.org\" mce_href=\"http:\/\/www.theatreconsultants.org\" target=\"0\"> American Society of Theatre Consultants<\/a> membership at the ASTC Forum '06. Michael has been an associate member of ASTC since 2005.  \r\n\r\n<\/p><p>A senior consultant for Theatre Projects Consultants in the South Norwalk office, Michael's responsibilities include project management, theatre planning, and technical equipment design and specification.  \r\n\r\n<\/p><p>In his eight years with TPC, Michael has collaborated on a number of major projects  including the <a href=\"\/projects\/item\/*82\" class=\"lightwindow\" params=\"lightwindow_width=820,lightwindow_height=600,lightwindow_type=external\">Kodak Theatre<\/a> (Hollywood, CA), <a href=\"\/projects\/item\/*9\" class=\"lightwindow\" params=\"lightwindow_width=820,lightwindow_height=600,lightwindow_type=external\">Overture Center for the Arts<\/a> (Madison, WI), <a href=\"\/projects\/item\/*79\" class=\"lightwindow\" params=\"lightwindow_width=820,lightwindow_height=600,lightwindow_type=external\">Kimmel Center for the Performing Arts <\/a> (Philadelphia, PA), <a href=\"\/projects\/item\/*73\" class=\"lightwindow\" params=\"lightwindow_width=820,lightwindow_height=600,lightwindow_type=external\">Hyperion Theatre<\/a>, Disneyland (Anaheim, CA), <a href=\"\/projects\/item\/*143\" class=\"lightwindow\" params=\"lightwindow_width=820,lightwindow_height=600,lightwindow_type=external\">University of Notre Dame, Marie P. DeBartolo Center for the Performing Arts<\/a>\r\n (South Bend, IN), and <a href=\"\/projects\/item\/*21\" class=\"lightwindow\" params=\"lightwindow_width=820,lightwindow_height=600,lightwindow_type=external\">Bard College, Richard B. Fisher Center for the Performing Arts<\/a>\r\n (Annandale-on-Hudson, NY). <\/p><p>His current projects include the Metropolitan Kansas City Performing Arts Center (Kansas City, MO), <a href=\"\/projects\/item\/*140\" class=\"lightwindow\" params=\"lightwindow_width=820,lightwindow_height=600,lightwindow_type=external\">University of Delaware Center for the Arts<\/a>\r\n (Newark, DE), Arvada Center for the Arts (Arvada, CO), and <a href=\"\/projects\/item\/*92\" class=\"lightwindow\" params=\"lightwindow_width=820,lightwindow_height=600,lightwindow_type=external\">Mercersburg Academy, Burgin Center for the Arts<\/a>\r\n (Mercersburg, PA).  \r\n\r\n<\/p><p>Michael joins TPC's <a href=\"\/people\/leadership\/profile\/14\" target=\"_blank\" mce_href=\"\/people\/leadership\/profile\/14\">Benton Delinger<\/a>, <a href=\"\/people\/leadership\/profile\/11\" target=\"_blank\" mce_href=\"\/people\/leadership\/profile\/11\">Gene Leitermann<\/a> and <a href=\"\/people\/leadership\/profile\/6\" target=\"_blank\" mce_href=\"\/people\/leadership\/profile\/6\">David Rosenburg<\/a> in this honor, who are also ASTC members. Congratulations, Michael!   \r\n\r\n<\/p><p><i>The Members of the ASTC are professional theatre consultants who have demonstrated a broad range of capability and experience necessary to qualify for membership. As professionals, ASTC members have individual and collective interests in providing unbiased, functionally sound and practical consulting and design services to owners, users, architects, and engineers or performance and assembly facilities. These interests are reflected in the objectives and programs of the Society. <\/i>   <\/p>","desc":"TPC's Michael Ferguson was voted to full  American Society of Theatre Consultants membership at the ASTC Forum '06. Michael has been an associate member of ASTC since 2005.  \r\n\r\nA  ..."},{"id":"118","date_start":"August 28, 2006","title":"Dawn Chiang Appointed Board Member of TEA and TCG","photo":"\/files\/news_items\/chiang-rgb-thumb.jpg","body":"<p><a href=\"\/people\/leadership\/profile\/32\" target=\"_blank\" mce_href=\"\/people\/leadership\/profile\/32\">Dawn Chiang<\/a>, a lighting designer and an associate of TPC, has recently been appointed as a board member for the eastern division of the <a href=\"http:\/\/www.themeit.com\/\" mce_href=\"http:\/\/www.themeit.com\/\" target=\"0\">Themed Entertainment Association<\/a> (TEA) and as an incoming board member for the <a href=\"http:\/\/www.tcg.org\/\" mce_href=\"http:\/\/www.tcg.org\/\" target=\"0\">Theatre Communications Group<\/a> (TCG).  <\/p><p>A well-established lighting designer, Dawn's Broadway credits include <i>Zoot Suit<\/i> and <i>Tango Pasion<\/i> (co-designed with <a href=\"\/people\/leadership\/profile\/26\" target=\"_blank\" mce_href=\"\/people\/leadership\/profile\/26\">Richard Pilbrow<\/a>). Her credits also include working with the Manhattan Theatre Club, Roundabout Theatre, Guthrie Theatre, South Coast Repertory, Oregon Shakespeare Festival, Denver Center Theatre Company, and New York City Opera, among others.   <\/p><p>Upcoming lighting design projects include designing <a href=\"http:\/\/www.syracusestage.org\/\" mce_href=\"http:\/\/www.syracusestage.org\/\" target=\"0\"> Syracuse Stage's<\/a> production of <i>A Christmas Carol<\/i> and co-designing with TPC Founder and Chairman Emeritus <a href=\"\/people\/leadership\/profile\/26\" target=\"_blank\" mce_href=\"\/people\/leadership\/profile\/26\">Richard Pilbrow<\/a> an <a href=\"http:\/\/www.abt.org\/default.asp\" mce_href=\"http:\/\/www.abt.org\/default.asp\" target=\"0\">American Ballet Theatre<\/a> production at the Metropolitan Opera House in June 2007.  <\/p><p>For her work in lighting design, Dawn has earned two Drama-Logue awards in Southern California, and nominations for an American Theatre Wing Award and the Los Angeles Drama Critics Award. <br><\/p><p><br><\/p><hr> <p><a href=\"http:\/\/www.themeit.com\/\" mce_href=\"http:\/\/www.themeit.com\/\" target=\"0\"><br><\/a><\/p><p><i><a href=\"http:\/\/www.themeit.com\/\" mce_href=\"http:\/\/www.themeit.com\/\" target=\"0\">Themed Entertainment Association <\/a> is a nonprofit organization dedicated to connecting organizations that are seeking to engage, enchant, educate and entertain their guests and visitors with the creators of compelling places and experiences worldwide.  <\/i><\/p><p><i><a href=\"http:\/\/www.tcg.org\/\" mce_href=\"http:\/\/www.tcg.org\/\" target=\"0\"> Theatre Communications Group <\/a>  - is an organization dedicated to strengthen, nurture and promote the professional not-for-profit American theatre.<\/i><\/p>","desc":"Dawn Chiang, a lighting designer and an associate of TPC, has recently been appointed as a board member for the eastern division of the Themed Entertainment Association (TEA) and  ..."},{"id":"117","date_start":"June 8, 2006","title":"Everything Changes: New Leadership at TPC Press Release","photo":"\/files\/news_items\/tpc-partners-thumb.jpg","body":"<p>Theatre Projects Consultants has announced that leadership and ownership of the firm has been transferred to a new generation of leaders.<br><br>\"For the past few years, we have been planning this ownership transition of the UK and US companies to the younger members of our team, and we feel that now is the right time for that change,\" said <a target=\"_blank\" mce_href=\"\/people\/leadership\/profile\/26\" href=\"\/people\/leadership\/profile\/26\">Richard Pilbrow<\/a>, Founder and Chairman.<br><br>The transition allows key members of staff to take on both leadership and ownership of Theatre Projects Consultants and provides for ownership to extend to other members of the firm in the future.<\/p><p><img mce_src=\"\/files\/news\/people\/tpc-partners.jpg\" alt=\"\" vspace=\"\" width=\"545\" align=\"middle\" border=\"\" height=\"261\" hspace=\"\" src=\"\/files\/news\/people\/tpc-partners.jpg\"><br><i>International Partners L to R: <a target=\"_blank\" mce_href=\"\/people\/leadership\/profile\/11\" href=\"\/people\/leadership\/profile\/11\">Gene Leitermann<\/a>, <a target=\"_blank\" mce_href=\"\/people\/leadership\/profile\/83\" href=\"\/people\/leadership\/profile\/83\">John Coyne<\/a>, <a target=\"_blank\" mce_href=\"\/people\/leadership\/profile\/10\" href=\"\/people\/leadership\/profile\/10\">Michael\r\nNishball<\/a>, <a target=\"_blank\" mce_href=\"\/people\/leadership\/profile\/14\" href=\"\/people\/leadership\/profile\/14\">Benton Delinger<\/a>, <a target=\"_blank\" mce_href=\"\/people\/leadership\/profile\/8\" href=\"\/people\/leadership\/profile\/8\">David Staples<\/a>, <a target=\"_blank\" mce_href=\"\/people\/leadership\/profile\/15\" href=\"\/people\/leadership\/profile\/15\">Marion Daehms<\/a>, <a target=\"_blank\" mce_href=\"\/people\/leadership\/profile\/12\" href=\"\/people\/leadership\/profile\/12\">Jerry Godden<\/a>,\r\n<a target=\"_blank\" mce_href=\"\/people\/leadership\/profile\/9\" href=\"\/people\/leadership\/profile\/9\">Alan Russell<\/a>, and <a target=\"_blank\" mce_href=\"\/people\/leadership\/profile\/7\" href=\"\/people\/leadership\/profile\/7\">Mark Stroomer<\/a><\/i>  <\/p><p><i>Photo credit: Dan Howell &amp; Peter Schiazza<\/i>  <\/p><br>The UK team will be led by <a target=\"_blank\" mce_href=\"\/people\/leadership\/profile\/8\" href=\"\/people\/leadership\/profile\/8\">David Staples<\/a>, Alan Russell, <a target=\"_blank\" mce_href=\"\/people\/leadership\/profile\/12\" href=\"\/people\/leadership\/profile\/12\">Jerry Godden<\/a>, <a target=\"_blank\" mce_href=\"\/people\/leadership\/profile\/7\" href=\"\/people\/leadership\/profile\/7\">Mark Stroomer<\/a>, and <a target=\"_blank\" mce_href=\"\/people\/leadership\/profile\/15\" href=\"\/people\/leadership\/profile\/15\">Marion Daehms<\/a>.<br><br>The US team will be led by <a target=\"_blank\" mce_href=\"\/people\/leadership\/profile\/83\" href=\"\/people\/leadership\/profile\/83\">John Coyne<\/a>, <a target=\"_blank\" mce_href=\"\/people\/leadership\/profile\/14\" href=\"\/people\/leadership\/profile\/14\">Benton Delinger<\/a>, <a target=\"_blank\" mce_href=\"\/people\/leadership\/profile\/11\" href=\"\/people\/leadership\/profile\/11\">Gene Leitermann<\/a>, and <a target=\"_blank\" mce_href=\"\/people\/leadership\/profile\/10\" href=\"\/people\/leadership\/profile\/10\">Michael Nishball<\/a>.<br><br>\"We are inheriting nearly five decades' worth of experience in theatre design. This transfer allows us to build on that wealth of knowledge while exploring new ideas, technologies, and markets to maintain Theatre Projects' leading position in the marketplace,\" comments <a target=\"_blank\" mce_href=\"\/people\/leadership\/profile\/14\" href=\"\/people\/leadership\/profile\/14\">Delinger<\/a>.<br><br><a target=\"_blank\" mce_href=\"\/people\/leadership\/profile\/8\" href=\"\/people\/leadership\/profile\/8\">Staples<\/a> adds, \"The new business structure is designed to promote increased collaboration between the company's offices. The reorganization will be seamless and will enhance our quality of service.\"<br><br>These organizational changes reflect Theatre Projects' desire to build on the company's past successes and to move confidently into the future with a responsive, talented, and enthusiastic team. To that end, both the US and UK offices have recently appointed highly qualified consultants with strong theatrical backgrounds in stage machinery, lighting, and theatre design, bolstering Theatre Projects' expertise in modern live entertainment venue design and planning.<br><br><a target=\"_blank\" mce_href=\"\/people\/leadership\/profile\/26\" href=\"\/people\/leadership\/profile\/26\">Pilbrow<\/a> will continue his involvement as Founder and Chairman Emeritus, and <a target=\"_blank\" mce_href=\"\/people\/leadership\/profile\/24\" href=\"\/people\/leadership\/profile\/24\">Brian Hall<\/a> will continue to support the company in his role as Principal Theatre Designer. In the UK, several senior colleagues are retiring from the company, including Iain Mackintosh, Lou Fleming, and Anthony Field.<br><br><a target=\"_blank\" mce_href=\"\/people\/leadership\/profile\/26\" href=\"\/people\/leadership\/profile\/26\">Pilbrow<\/a> observes: \"Theatre Projects enjoys a reputation built upon our philosophy for designing exciting and effective theatres and the experience, energy, and loyalty of our staff. It is a pleasure to hand over Theatre Projects to a team with a vision that respects the value of past experience, yet is rich with new ideas and enthusiasm for the future.\" <b><br><br><br>Contact Us<\/b><br>If you have any questions or require any additional images or information, please feel free to contact us.<br><br><p><b> UK, Europe, Middle East, and Far East<\/b>  <br><a target=\"_blank\" mce_href=\"\/people\/leadership\/profile\/58\" href=\"\/people\/leadership\/profile\/58\">Ruth Smallshaw<\/a>, Marketing Coordinator  <br>T +44 (0)20 7482 4224    <br> <a mce_href=\"mailto:rs@tpcworld.net\" href=\"mailto:rs@tpcworld.net\">rs@tpcworld.net<\/a>    <\/p><p><b>North and South America<\/b>  <br><a target=\"_blank\" mce_href=\"\/people\/leadership\/profile\/18\" href=\"\/people\/leadership\/profile\/18\">Kristen Mathias<\/a>, Communication Manager  <br>T +1 203-299-0830  <br> <a mce_href=\"mailto:kristenm@tpcworld.com\" href=\"mailto:kristenm@tpcworld.com\">kristenm@tpcworld.com<\/a><\/p><br>","desc":"Theatre Projects Consultants has announced that leadership and ownership of the firm has been transferred to a new generation of leaders.\"For the past few years, we have been  ..."},{"id":"114","date_start":"April 6, 2006","title":"Richard Pilbrow to Curate the Architecture and Technology Section for PQ2007","photo":"\/files\/news_items\/pilbrow_news-thumb.jpg","body":"<p><img src=\"\/files\/news\/people\/pq2007.jpg\" mce_src=\"\/files\/news\/people\/pq2007.jpg\" alt=\"\" vspace=\"\" width=\"110\" align=\"left\" border=\"\" height=\"524\" hspace=\"\">  <\/p><p><a href=\"\/people\/leadership\/profile\/26\" target=\"_blank\" mce_href=\"\/people\/leadership\/profile\/26\">Richard Pilbrow<\/a> has been selected to curate, on behalf of the United States Institute for Theatre Technology (USITT), the Architecture and Technology section of the USA Scenography Exhibit at the Prague Quadrennial (PQ2007).  <\/p><p>Every four years the USITT sponsors the USA Scenography Exhibit at the Prague Quadrennial. This is the only exhibition of its kind and magnitude in the world, which exhibits contemporary stage designs and theatre architecture. The US entry includes an Architecture and Technology Section. The theme of this section for the PQ2007 will be:  <\/p><p><b>\"PERFORMANCE SPACES FOR A NEW GENERATION\"<\/b> <br>Training facilities for the performing arts in the United States  <\/p><p>This will be an exhibit of the best of American theatre architecture intended for education and training in the performing arts. The widespread field of education-for-the-arts is one that particularly distinguishes the USA in the international arena. Projects shown may include university and college facilities, theatres, schools, and performing arts centers that include specific training programs. Permanent theatre venues, as well as renovations may be included.  <\/p><p>All parties interested in submitting should email the following information to <a href=\"\/people\/leadership\/profile\/26\" target=\"_blank\" mce_href=\"\/people\/leadership\/profile\/26\">Richard Pilbrow<\/a>, Curator (<a href=\"mailto:%20rplight@earthlink.net\" mce_href=\"mailto:%20rplight@earthlink.net\">rplight@earthlink.net<\/a>) by <b>April 28th, 2006<\/b>.   <\/p><ul><p>1. Name and Location of Project. <br>2. Name of Owner and\/or Head(s) of Department. <br>3. Name of Architect, Theatre Consultant, and Acoustician. <br>4. Brief description of the project. <br>5. Web-site address of the project (if available). <br>6. Proposer's views on the appropriateness of the project for inclusion in the exhibition. <\/p><\/ul>  <p>More information is available at:  <a href=\"http:\/\/pqusitt.okstate.edu\/architect.htm\" mce_href=\"http:\/\/pqusitt.okstate.edu\/architect.htm\" target=\"0\"> http:\/\/pqusitt.okstate.edu\/architect.htm<\/a>  <\/p><p><a href=\"\/people\/leadership\/profile\/26\" target=\"_blank\" mce_href=\"\/people\/leadership\/profile\/26\">Richard Pilbrow<\/a> is the founder and chairman of Theatre Projects, as well an internationally known author and stage lighting designer. In 1982, Richard received an award from the USITT for \"his many years contribution to the art of lighting, as designer, entrepreneur, and consultant in both England and America.\" He also received an Outstanding Life Time Achievement Award from the USITT in 1999. Richard was a member of the Board of the USITT from 2000-2006. <\/p>","desc":"  Richard Pilbrow has been selected to curate, on behalf of the United States Institute for Theatre Technology (USITT), the Architecture and Technology section of the USA  ..."},{"id":"111","date_start":"December 19, 2005","title":"Richard Pilbrow LDI 2005 Lighting Designer of the Year","photo":"\/files\/news_items\/pilbrow_news-thumb.jpg","body":"<p><a href=\"\/people\/leadership\/profile\/26\" target=\"_blank\" mce_href=\"\/people\/leadership\/profile\/26\">Richard Pilbrow<\/a>, chairman of TPC, was awarded Lighting Designer of the Year during the LDI 2005 tradeshow and conference annual awards ceremony on November 12th, 2005.  <\/p><p>Most recently, Richard was the lighting designer for Goodspeed Musical's production of <i>The Boyfriend<\/i> directed by Oscar and Emmy Award-winner Julie Andrews. The production opened this summer at the Goodspeed Opera House in East Haddam, CT and is currently on a national tour. (Dawn Chiang, a TPC Associate was the co-lighting designer.) Richard has also lighting designed Goodspeed's <i>Where's Charley?<\/i> and <i>Very Good Eddie<\/i>.  <\/p><p>Richard pioneered the modern practice of stage lighting in Britain and his work has been seen in London, New York, Dublin, Paris, Berlin, Vienna, and Moscow. He was the first British lighting designer to design the lighting for a Broadway musical (<i>Zorba<\/i>).   <\/p><p>He was lighting designer of the Hal Prince hit revival of <i>Show Boat<\/i> on Broadway (Drama Desk Award, Outer Circle Critics Award-lighting), in Toronto (Dora Award - Outstanding Lighting), and on tour throughout the US (NAACP Award for Lighting).   <\/p><p>Other Broadway productions include <i>Our Town<\/i> (Revival) starring Paul Newman (Westport Country Playhouse, Broadway and PBS-TV); the Cy Coleman musical <i>The Life<\/i>, (1997 Tony Award nomination); the Roundabout Theatre production of Harold Pinter's <i>Ashes to Ashes<\/i>; <i>Rosencrantz &amp; Guildenstern Are Dead<\/i>; <i>The Rothchilds<\/i>, and at Lincoln Center's Vivian Beaumont Theatre, <i>Four Baboons Adoring The Sun<\/i> (1993 Tony Award nomination).  <\/p><p>In 1982, Richard received an award from the United States Institute of Theatre Technology (USITT) for \"his many years contribution to the art of lighting, as designer, entrepreneur, and consultant in both England and America,\" and in 1999 the USITT presented him with an Outstanding Life Time Achievement Award. Richard was elected a Fellow of the USITT in 2001. And in 2000, the Association of British Theatre Technicians (ABTT) awarded him their annual Technician of the Year award for his contributions to theatre technology. <\/p>","desc":"Richard Pilbrow, chairman of TPC, was awarded Lighting Designer of the Year during the LDI 2005 tradeshow and conference annual awards ceremony on November 12th, 2005.  Most  ..."},{"id":"108","date_start":"June 6, 2005","title":"Richard Pilbrow's Return to LAMDA","photo":"\/files\/news_items\/lamda_2-thumb.jpg","body":"<p>On March 24th 2005, <a href=\"\/people\/leadership\/profile\/26\" target=\"_blank\" mce_href=\"\/people\/leadership\/profile\/26\">Richard Pilbrow<\/a>, chairman of Theatre Projects Consultants, returned to London to be present at the 40th anniversary celebration of the London Academy of Music and Dramatic Art's (LAMDA) prestigious Stage Management and Technical Theatre Course.      <\/p><p><img src=\"\/files\/news\/people\/lamda_3.jpg\" mce_src=\"\/files\/news\/people\/lamda_3.jpg\" alt=\"\" vspace=\"\" width=\"325\" align=\"absmiddle\" border=\"\" height=\"187\" hspace=\"\"> <br><i><a href=\"\/people\/leadership\/profile\/26\" target=\"_blank\" mce_href=\"\/people\/leadership\/profile\/26\">Richard Pilbow<\/a> with current LAMDA class<\/i>    <\/p><p>In 1965 Richard was approached by the college's principle, Michael MacOwan, to help establish a course for the London Academy which would address the training of students in stage management and technical theatre.      <\/p><p>The Theatre Projects Trust provided the services of Robert Stanton as Course Director, while many other Theatre Projects' staff supplied tuition including: David Collison and Tony Horder (sound), Molly Pilbrow and members of the TP lighting design team (lighting), Brian Benn (production management) with Laurence Blackmore and David Chivers (company management). The training provided a unique interface between the drama school and the world of professional theatre.    <\/p><p>The course has stood the test of time and has proved to be extremely successful in teaching students core skills that are complemented by practical 'hands-on' training, which provides invaluable experience for their future careers.  In fact, the skills learned during the course are so desirable to future employers that well over 90% of LAMDA graduates find relevant employment within six months of completing the course.  Previous graduates of the course have gone on to work for a variety of prominent companies, including the Royal Shakespeare Company, the Royal National Theatre of Great Britain and the Royal Academy of Dance.    <\/p><p>As part of the celebrations, eminent individuals associated with the technical theatre course were invited to participate in the 40th anniversary celebration, which included an afternoon's conversation with current students of the course.  Representatives from Theatre Projects Consultants and the Theatre Projects Trust who were present included Richard and Molly Pilbrow, Anthony Field, and Iain Mackintosh.    <\/p><p><img src=\"\/files\/news\/people\/lamda_2.jpg\" mce_src=\"\/files\/news\/people\/lamda_2.jpg\" alt=\"\" vspace=\"\" width=\"325\" align=\"absmiddle\" border=\"\" height=\"195\" hspace=\"\"> <br><i>L to R:Iain Mackintosh (TPC), Peter James (LAMDA), Molly and <a href=\"\/people\/leadership\/profile\/26\" target=\"_blank\" mce_href=\"\/people\/leadership\/profile\/26\">Richard Pilbrow<\/a> (TPC), David Chivers (TP Associates), and Tony Field (TPC)<\/i>    <\/p><p><a href=\"\/people\/leadership\/profile\/26\" target=\"_blank\" mce_href=\"\/people\/leadership\/profile\/26\">Richard Pilbrow<\/a> spoke at two sessions during the afternoon, entitled <i>Two Conversations<\/i>. The first session described the discussion with Michael MacOwen which led to the formation of the course.  Richard also gave the students a brief outline of his various careers as a lighting designer, producer, author, and theatre consultant.  The second conversation was a more detailed discussion, led by Anthony Field, which reflected on Richard's career to date and which prompted many more entertaining anecdotes of experiences working in the theatre.    <\/p><p><img src=\"\/files\/news\/people\/lamda_1.jpg\" mce_src=\"\/files\/news\/people\/lamda_1.jpg\" alt=\"\" vspace=\"\" width=\"325\" align=\"absmiddle\" border=\"\" height=\"210\" hspace=\"\"> <br><i>L to R:TPC's <a href=\"\/people\/leadership\/profile\/26\" target=\"_blank\" mce_href=\"\/people\/leadership\/profile\/26\">Richard Pilbrow<\/a>, Tony Field, and Iain Mackintosh<\/i>    <\/p><p>Theatre Projects has always been proud of its strong association with LAMDA, and the recent anniversary of the Stage Management and Technical Theatre Course has provided the two organizations with the perfect opportunity to celebrate this ongoing relationship.  <\/p>","desc":"On March 24th 2005, Richard Pilbrow, chairman of Theatre Projects Consultants, returned to London to be present at the 40th anniversary celebration of the London Academy of Music  ..."},{"id":"105","date_start":"April 8, 2005","title":"David Staples to Speak at Auditoria Expo","photo":"","body":"<p><a href=\"\/people\/leadership\/profile\/8\" target=\"_blank\" mce_href=\"\/people\/leadership\/profile\/8\">David Staples<\/a> of Theatre Projects' London office will be speaking at the Auditoria Expo in Vienna in April. The Auditoria Expo is a major exhibition and conference devoted to the latest thinking and design, operation and technology for today's performance and entertainment venues.   <\/p><p>David will be making two presentations. The first is entitled <i>New Venues, New Challenges and New Solutions<\/i>. It will examine several trends in new performing arts buildings. The second covers the five \"R\"'s - Refurbishment, Renovation, Restoration, Remodelling and Reconstruction. This takes a quick look at theatres over a 217 year period.  <\/p><p>The Auditoria Expo runs April 14-15, 2005 at the Austria Centre Vienna. For more on the expo, <a href=\"http:\/\/www.auditoriaexpo.com\" mce_href=\"http:\/\/www.auditoriaexpo.com\" target=\"0\">click here<\/a>.  <\/p><p><br><\/p>","desc":"David Staples of Theatre Projects' London office will be speaking at the Auditoria Expo in Vienna in April. The Auditoria Expo is a major exhibition and conference devoted to the  ..."},{"id":"104","date_start":"March 3, 2005","title":"Dawn Chiang Saluted in Stage Directions Magazine","photo":"\/files\/news_items\/chiang-rgb-thumb.jpg","body":"<p><a href=\"\/people\/leadership\/profile\/32\" target=\"_blank\" mce_href=\"\/people\/leadership\/profile\/32\">Dawn Chiang<\/a>, a lighting designer and an associate of Theatre Projects Consultants, is featured in the March 2005 edition of <i>Stage Directions<\/i> magazine. The article honors five professional women in theatre in celebration of Women's History Month.  <\/p><p>Dawn's Broadway lighting design credits include <i>Zoot Suit<\/i> and <i>Tango Pasion<\/i> (co-designed with Richard Pilbrow).  Her credits also include working with the Manhattan Theatre Club, Roundabout Theatre, Guthrie Theatre, South Coast Repertory, Oregon Shakespeare Festival, Denver Center Theatre Company, and New York City Opera, among others.  <\/p><p>For her work in lighting design, Dawn has earned two Drama-Logue awards in Southern California, and nominations for an American Theatre Wing Award and the Los Angeles Drama Critics Award.  <\/p><p>Also honored in the <stage> tribute are Daryl Roth, producer; Shannon Zura, lighting and sound designer; Martha Kulig, stage manager, and Christine Smith-McNamara, costume shop manager and designer.  <\/stage><\/p><p>To read an excerpt from this article <a href=\"http:\/\/www.tpcworld.com\/pr\/stagedirections_article_dawnchiang.pdf\" mce_href=\"http:\/\/www.tpcworld.com\/pr\/stagedirections_article_dawnchiang.pdf\" target=\"0\">click here<\/a>.    <\/p>","desc":"Dawn Chiang, a lighting designer and an associate of Theatre Projects Consultants, is featured in the March 2005 edition of Stage Directions magazine. The article honors five  ..."},{"id":"103","date_start":"March 1, 2005","title":"Martin Bailey Joins TPC's London office","photo":"\/files\/news_items\/bailey_rgb-thumb.jpg","body":"<p>Theatre Projects Consultants is pleased to announce the appointment of <a href=\"\/people\/leadership\/profile\/30\" target=\"_blank\" mce_href=\"\/people\/leadership\/profile\/30\">Martin Bailey<\/a> as a consultant in their London office.  Martin, whose specialization includes managing design and operational delivery on a range of technical installations, has a strong background in technical theatre production.  He is also experienced in sound engineering and lighting design.  <\/p><p><br><\/p>","desc":"Theatre Projects Consultants is pleased to announce the appointment of Martin Bailey as a consultant in their London office.  Martin, whose specialization includes managing design  ..."},{"id":"100","date_start":"February 4, 2005","title":"John Coyne featured in Lighting&Sound America's people worth knowing","photo":"","body":"<P><IMG height=133 src=\"http:\/\/www.tpcworld.com\/images\/articles\/lsa-jc.jpg\" width=100 align=right mce_src=\"http:\/\/www.tpcworld.com\/images\/articles\/lsa-jc.jpg\"> <\/P>\r\n<P><A href=\"\/people\/leadership\/profile\/83\" target=_blank mce_href=\"\/people\/leadership\/profile\/83\">John Coyne<\/A>, a principal consultant in TPC's Connecticut office, was featured in <I><A href=\"http:\/\/www.lightingandsoundamerica.com\/\" target=0>Lighting&amp;Sound America's<\/A> September 2004 'People Worth Knowing'<\/I>. John is a member of the Design Department at TPC and also works as a scenery and costume designer. <\/P>\r\n<P>To read the article <A href=\"http:\/\/www.tpcworld.com\/images\/articles\/lsa-jc-article.pdf\" target=0>click here<\/A>. <\/P>","desc":" \r\nJohn Coyne, a principal consultant in TPC's Connecticut office, was featured in Lighting&amp;Sound America's September 2004 'People Worth Knowing'. John is a member of the  ..."},{"id":"94","date_start":"September 22, 2004","title":"Benton Delinger newest member of the American Society of Theatre Consultants","photo":"","body":"<p>TPC's <a href=\"\/people\/leadership\/profile\/14\" target=\"_blank\" mce_href=\"\/people\/leadership\/profile\/14\">Benton Delinger<\/a> was voted to full <a href=\"http:\/\/www.theatreconsultants.org\" mce_href=\"http:\/\/www.theatreconsultants.org\" target=\"0\"> American Society of Theatre Consultants <\/a> (ASTC) Membership at the ASTC Forum '04.  <\/p><p>A senior consultant for Theatre Projects Consultants in the South Norwalk office, Benton's responsibilities include project management, theatre planning, and technical equipment design and specification.  <\/p><p>Benton has been the TPC Project Manager for a number of projects including the <a href=\"\/projects\/item\/*40\" class=\"lightwindow\" params=\"lightwindow_width=820,lightwindow_height=600,lightwindow_type=external\">Chicago Shakespeare Theater<\/a> (Chicago), <a href=\"\/projects\/item\/*18\" class=\"lightwindow\" params=\"lightwindow_width=820,lightwindow_height=600,lightwindow_type=external\">South Coast Repertory, Argyros Stage<\/a> (Costa Mesa, CA), and the recently opened <a href=\"\/projects\/item\/*143\" class=\"lightwindow\" params=\"lightwindow_width=820,lightwindow_height=600,lightwindow_type=external\">University of Notre Dame, Marie P. DeBartolo Center For The Performing Arts<\/a> (South Bend, IN).  <\/p><p>His current projects include <a href=\"\/projects\/item\/*45\" class=\"lightwindow\" params=\"lightwindow_width=820,lightwindow_height=600,lightwindow_type=external\">Collin County Performing Arts Center <\/a>\r\n(TX), <a href=\"\/projects\/item\/*133\" class=\"lightwindow\" params=\"lightwindow_width=820,lightwindow_height=600,lightwindow_type=external\">The Music Center at Strathmore<\/a> (North Bethesda, MD), The Shaw Center for the Arts (Baton Rouge), and <a href=\"\/projects\/item\/*12\" class=\"lightwindow\" params=\"lightwindow_width=820,lightwindow_height=600,lightwindow_type=external\">Williams College, '62 Center for Theatre and Dance<\/a> (Williamstown, MA).  <\/p><p>Benton joins TPC's <a href=\"\/people\/leadership\/profile\/11\" target=\"_blank\" mce_href=\"\/people\/leadership\/profile\/11\">Gene Leitermann<\/a> and <a href=\"\/people\/leadership\/profile\/6\" target=\"_blank\" mce_href=\"\/people\/leadership\/profile\/6\">David Rosenburg<\/a> and TPC Associate Robert Long in this honor, who are also ASTC members.  Congratulations, Benton!  <\/p><p>&nbsp;<\/p><p><i>\"The membership of the American Society of Theatre Consultants is professional theatre consultants who have demonstrated a broad range of capability and experience necessary to qualify for membership. As professionals, ASTC members have individual and collective interest in providing unbiased, functionally sound and practical consulting and design services to owners, users, architects and engineers of the performance and assembly facilities. These interests are reflected in the objective and programs of the ASTC,\" as defined on the <a href=\"http:\/\/www.theatreconsultants.org\/\" mce_href=\"http:\/\/www.theatreconsultants.org\/\" target=\"0\"> ASTC website<\/a>.<\/i>  <\/p>","desc":"TPC's Benton Delinger was voted to full  American Society of Theatre Consultants  (ASTC) Membership at the ASTC Forum '04.  A senior consultant for Theatre Projects Consultants in  ..."},{"id":"92","date_start":"September 13, 2004","title":"Theatre Projects Consultants to Present Program on Theatre Design for Dallas Spotlight Presentation Series","photo":"\/files\/news_items\/tpc_team-thumb.jpg","body":"<p> The Dallas Center for the Performing Arts Foundation's latest installment of its Spotlight Presentation Series was such a success that it is being presented for a second time on Wednesday, October 13, 2004.  The Series features innovative presentations about the process and progress of designing and constructing the Dallas Center for the Performing Arts.    <\/p><p>The presentation, originally held Wednesday, September 15, 2004, features Theatre Projects Consultants' work as the theatre design consultant for both the <a href=\"\/projects\/item\/*49\" class=\"lightwindow\" params=\"lightwindow_width=820,lightwindow_height=600,lightwindow_type=ex\r\nternal\">Margot and Bill Winspear Opera House<\/a> and the <a href=\"\/projects\/item\/*50\" class=\"lightwindow\" params=\"lightwindow_width=820,lightwindow_height=600,lightwindow_type=ex\r\nternal\">Charles and Dee Wyly Theatre<\/a> will be detailed and discussed.   <\/p><p>Members of the Theatre Projects team present include <a href=\"\/people\/leadership\/profile\/26\" target=\"_blank\" mce_href=\"\/people\/leadership\/profile\/26\">Richard Pilbrow<\/a>, Chairman; <a href=\"\/people\/leadership\/profile\/24\" target=\"_blank\" mce_href=\"\/people\/leadership\/profile\/24\">Brian Hall<\/a>, Director of Design; David Taylor, Principal Consultant; and <a href=\"\/people\/leadership\/profile\/83\" target=\"_blank\" mce_href=\"\/people\/leadership\/profile\/83\">John Coyne<\/a>, Principal Consultant.    <\/p><p><img src=\"\/files\/news\/people\/tpc_team.jpg\" mce_src=\"\/files\/news\/people\/tpc_team.jpg\" alt=\"\" vspace=\"\" width=\"325\" align=\"absmiddle\" border=\"\" height=\"207\" hspace=\"\"> <br><i>L to R: Pilbrow, Taylor, Hall, Coyne<\/i>  <\/p><p>\"The Spotlight Presentation Series gives the public insight into the complex nature of designing these innovative cultural venues,\" said Ruben E. Esquivel, Dallas Center for the Performing Arts Foundation Board Member and Chair of its Communications Committee.  \"As an integral part of the Center's design team, Theatre Projects Consultants is crucial to ensuring these venues are not just beautiful buildings, but are functional ones as well.\"  <\/p><p><b>Location and Reservation Information:<\/b> <br>The discussion by Theatre Projects Consultants is scheduled to be held on Wednesday, October 13 from 5:30 to 7 p.m. in Horchow Hall at the Meyerson Symphony Center.  The presentation is free and open to the public.  A question and answer session will follow. <b>Seating is limited.  Reservations can be made at 214.954.9925. ext 28.<\/b>   <\/p>","desc":" The Dallas Center for the Performing Arts Foundation's latest installment of its Spotlight Presentation Series was such a success that it is being presented for a second time on  ..."},{"id":"87","date_start":"July 1, 2004","title":"10th Year Anniversaries","photo":"\/files\/news_items\/news_144.jpg","body":"<p><a href=\"\/projects\/item\/*63\" class=\"lightwindow\" params=\"lightwindow_width=820,lightwindow_height=600,lightwindow_type=external\">Glyndebourne Opera House<\/a>, Lewes, England  <\/p><p><img src=\"\/files\/news\/people\/glyndebourne.jpg\" mce_src=\"\/files\/news\/people\/glyndebourne.jpg\" alt=\"\" vspace=\"\" width=\"200\" align=\"absmiddle\" border=\"\" height=\"155\" hspace=\"\"><\/p><p>The 2004 season at Glyndebourne Festival Opera (May 20 - August 29) marks the 70th anniversary of the unique opera festival in the East Sussex countryside and the 10th anniversary since Theatre Projects worked as theatre consultant for the new venue.     <\/p><p>The new opera house opened in May 1994. The 1,200-seat auditorium shares an amazing intimacy with the stage. The dominant material in the auditorium is wood, which adds to the warmth and intimate atmosphere, in addition to helping create the outstanding acoustical properties of the room.  Theatre Projects worked on the auditorium design concept, planning, performance equipment engineering and the light, sound and communication design and specification.    <\/p><p><a href=\"\/projects\/item\/*170\" class=\"lightwindow\" params=\"lightwindow_width=820,lightwindow_height=600,lightwindow_type=external\">Edinburgh Festival Theatre<\/a>, Edinburgh, Scotland  <br>Also celebrating a landmark ten year anniversary is the Edinburgh Festival Theatre. The venue underwent a &pound;20m refurbishment between 1992 and 1994 under the leadership of Law &amp; Dunbar Nasmith Architects.  This refurbishment saw the auditorium undergoing major change from a bingo hall into a theatre.   Theatre Projects worked on the planning and concept design for the remodelling of stage and auditorium and the specification of all theatre equipment systems.    <\/p><p><a href=\"\/projects\/item\/*135\" class=\"lightwindow\" params=\"lightwindow_width=820,lightwindow_height=600,lightwindow_type=external\">Seiji Ozawa Hall, Tanglewood Music Center<\/a>, Lenox, Massachusetts, USA  <\/p><p><img src=\"\/files\/news\/people\/tanglewood.jpg\" mce_src=\"\/files\/news\/people\/tanglewood.jpg\" alt=\"\" vspace=\"\" width=\"150\" align=\"absmiddle\" border=\"\" height=\"187\" hspace=\"\"><\/p><p>Another 10 year anniversary will take place when Kurt Masur and the Boston Symphony open the Tanglewood season on July 9th. This world famous music center, located in the Berkshire Hills of Massachusetts, is the summer home for the Boston Symphony Orchestra and a prestigious music school.  Ozawa Hall opened Summer of 1994 and became the primary performance space for the music center students. The hall seats 1,200 and with the back wall open, an additional 2,000 on the lawn may enjoy the concerts.  It was designed by William Rawn Associates of Boston.  Theatre Projects advised on concert hall planning and design and the design of the lighting and communication systems.      <\/p><p>To celebrate the anniversary there will be a special exhibit at the Tanglewood Visitor Center:  \"A Room for Music: Seiji Ozawa Turns Ten!\"  It will feature photographs, plans, and other memorabilia about the design and construction of the hall.  <a href=\"http:\/\/www.bso.org\/\" mce_href=\"http:\/\/www.bso.org\/\" target=\"0\">http:\/\/www.bso.org<\/a>    <\/p>","desc":"Glyndebourne Opera House, Lewes, England  The 2004 season at Glyndebourne Festival Opera (May 20 - August 29) marks the 70th anniversary of the unique opera festival in the East  ..."},{"id":"89","date_start":"July 1, 2004","title":"NEWS RELEASE: Promotions at TPC","photo":"","body":"<p>Theatre Projects Consultants (TPC) of South Norwalk, Connecticut is pleased to  announce that <a href=\"\/people\/leadership\/profile\/10\" target=\"_blank\" mce_href=\"\/people\/leadership\/profile\/10\">Michael Nishball<\/a>, head of the technical production department, and <a href=\"\/people\/leadership\/profile\/83\" target=\"_blank\" mce_href=\"\/people\/leadership\/profile\/83\">John  Coyne<\/a>, design department associate, have both been promoted to Principal Consultant.   Nishball has also joined the US Management Team for Theatre Projects.  In addition to  these promotions, Project Manager <a href=\"\/people\/leadership\/profile\/35\" target=\"_blank\" mce_href=\"\/people\/leadership\/profile\/35\">Michael Ferguson<\/a> has been promoted to Senior  Consultant.  \r\n\r\n<\/p><p><a href=\"\/people\/leadership\/profile\/10\" target=\"_blank\" mce_href=\"\/people\/leadership\/profile\/10\"><b>Michael Nishball<\/b><\/a>, head of the technical production department and a rigging  and stage equipment specialist has been with TPC since 1995.  He has more than 20 years  experience in theatrical rigging system design as well as considerable professional  experience in specialist production techniques, particularly video and projection.   Some of  his major projects for TPC include: <a href=\"\/projects\/item\/*82\" class=\"lightwindow\" params=\"lightwindow_width=820,lightwindow_height=600,lightwindow_type=external\">Kodak Theatre<\/a>, Hollywood, CA; <a href=\"\/projects\/item\/*9\" class=\"lightwindow\" params=\"lightwindow_width=820,lightwindow_height=600,lightwindow_type=external\">Overture Center for the Arts<\/a>,  Madison, WI; <a href=\"\/projects\/item\/*96\" class=\"lightwindow\" params=\"lightwindow_width=820,lightwindow_height=600,lightwindow_type=external\">New Amsterdam Theatre<\/a>, New York City and <a href=\"\/projects\/item\/*79\" class=\"lightwindow\" params=\"lightwindow_width=820,lightwindow_height=600,lightwindow_type=external\">Kimmel Center for the Performing Arts<\/a>\r\n, Philadelphia, PA.   Before joining TPC in 1995, Nishball worked for the rigging contractor Pook, Diemont and  Ohl, Inc.    He has an A.S. in Television Production from Grahm Junior College, and a  B.F.A.\/Honors in Studio for Interrelated Media from the Massachusetts College of Art in  Boston, MA. He is a member of the Construction Specifications Institute with a certificate  in Construction Document Technology. \r\n\r\n<\/p><p>An architect and a scenic and costume designer, <a href=\"\/people\/leadership\/profile\/83\" target=\"_blank\" mce_href=\"\/people\/leadership\/profile\/83\"><b>John Coyne<\/b><\/a>, is a member of  the TPC design department.   Coyne has designed for a number of theatre and opera  companies including, New York City Opera, San Francisco Opera, The Joseph Papp Public  Theatre, Dallas Theater Center, Center Stage, and The Juilliard School. His most recent  productions were <i>Julius Caesar<\/i> for the California Shakespeare Theatre; <i>Die  Fledermaus<\/i> for Washington Opera, <i>Rough Crossing<\/i> at the Old Globe Theatre,  San Diego, and <i>Very Good Eddie<\/i> for Goodspeed Musicals, East Haddam, CT.    \r\n\r\n<\/p><p>For TPC, his architectural design work includes <a href=\"\/projects\/item\/*136\" class=\"lightwindow\" params=\"lightwindow_width=820,lightwindow_height=600,lightwindow_type=external\">Tempe Center for the Arts<\/a>, Tempe, AZ;  <a href=\"\/projects\/item\/*45\" class=\"lightwindow\" params=\"lightwindow_width=820,lightwindow_height=600,lightwindow_type=external\">Collin County Arts Center<\/a> Study, TX; Dallas Center for the Performing Arts, Baton Rouge  Performing Arts Center,LA;  and Cyprus Theatre, Nicosia, Cyprus.  Coyne attended the  School of Architecture at the University of Notre Dame, including the Rome Studies  Program. He has a Professional Bachelor of Architecture degree from Cornell University  and a MFA degree from the Yale Drama School.    <\/p><p>With almost twenty years of theatre production experience, Project Manager  <a href=\"\/people\/leadership\/profile\/35\" target=\"_blank\" mce_href=\"\/people\/leadership\/profile\/35\"><b>Michael Ferguson<\/b><\/a> initially joined Theatre Projects as a stage lighting and  performance equipment specialist in 1998.  His production experience covers a wide range  of live presentation types including theatre, dance, performance art, industrials, circus,  trade shows, special event design, and live musical concerts.  Regional theatre credits  include productions for San Jose Repertory Theatre, American Conservatory Theatre,  Berkley Rep, The Kennedy Center, and Repertory Theatre of St. Louis.  <\/p><p>His TPC projects include a new performing arts center at the <a href=\"\/projects\/item\/*140\" class=\"lightwindow\" params=\"lightwindow_width=820,lightwindow_height=600,lightwindow_type=external\">University of Delaware<\/a>,  Metropolitan Kansas City Performing Arts Center, MO; <a href=\"\/projects\/item\/*92\" class=\"lightwindow\" params=\"lightwindow_width=820,lightwindow_height=600,lightwindow_type=external\">Mercersburg Academy<\/a>,  Mercersburg, PA and Theatre for a New Audience, Brooklyn, NY. He has a BFA degree from  the Conservatory of Theatre Arts at Webster University, St. Louis, MO and a degree from  the Pacific Conservatory of the Performing Arts, Santa Maria, CA.  Ferguson is also a  lighting designer member of United Scenic Artists, Local 829.  <\/p><p>Theatre Projects is an international team (with offices in Connecticut, London, and  Singapore) of designers, planners, arts administrators, and performance equipment  experts who offer a comprehensive approach to performance space consulting.  Founded  in 1957 by Richard Pilbrow, Theatre Projects has firmly established the theatre consulting  discipline and changed the face of performing arts building around the world.  The team is  dedicated to the creation of buildings in which audience members join performers in  celebrating the performing arts.  <\/p><img src=\"\/files\/news\/people\/tpc_mnjcmf.jpg\" mce_src=\"\/files\/news\/people\/tpc_mnjcmf.jpg\" alt=\"\" vspace=\"\" width=\"540\" align=\"left\" border=\"\" height=\"198\" hspace=\"\">","desc":"Theatre Projects Consultants (TPC) of South Norwalk, Connecticut is pleased to  announce that Michael Nishball, head of the technical production department, and John  Coyne, design ..."},{"id":"83","date_start":"April 26, 2004","title":"Creative Clusters Conference","photo":"","body":"<b>28 April - 1 May 2004 <br>Brighton, United Kingdom<\/b>  <p><a href=\"\/people\/leadership\/profile\/8\" target=\"_blank\" mce_href=\"\/people\/leadership\/profile\/8\">David Staples<\/a>, managing director of Theatre Projects Consultants, will be speaking at the forthcoming Creative Clusters conference in Brighton on how new arts buildings have led to significant redevelopment and economic growth in communities.    <\/p><p>The conference consists of a series of presentations on initiatives that support enterprise in the creative industries and examines the growth of the cultural industries and their role in economic development and regeneration.  <\/p><p>David will examine the importance of new arts facilities in society and education and what direct economic benefits these cultural facilities can bring to a community, including the indirect and secondary benefits. He will demonstrate how arts facilities have promoted further commercial development, creating jobs and economic prosperity  for communities.  David will use case studies in order to prompt debate including The Lincoln Center in New York, <a href=\"\/projects\/item\/*89\" mce_href=\"\/projects\/item\/*89\" class=\"lightwindow\" params=\"lightwindow_width=820,lightwindow_height=600,lightwindow_type=external\">The Lowry<\/a>\r\n in Salford, <a href=\"\/projects\/item\/*5\" mce_href=\"\/projects\/item\/*5\" class=\"lightwindow\" params=\"lightwindow_width=820,lightwindow_height=600,lightwindow_type=external\">Esplanade - Theatres on the Bay<\/a>\r\n in Singapore and <a href=\"\/projects\/item\/*11\" mce_href=\"\/projects\/item\/*11\" class=\"lightwindow\" params=\"lightwindow_width=820,lightwindow_height=600,lightwindow_type=external\">The Sage Gateshead<\/a>.  <\/p><p>David has experience in feasibility and planning studies, market analysis, and appraisal of arts organisations.  He has prepared preliminary building programmes, briefed architects, undertaken theatre planning and performance equipment programmes, project planning and organisation. In 1985 David was appointed managing director of Theatre Projects Consultants.  He continues to provide management consulting and financial input to projects and to direct major planning and building projects for Theatre Projects Consultants.  <\/p>","desc":"28 April - 1 May 2004 Brighton, United Kingdom  David Staples, managing director of Theatre Projects Consultants, will be speaking at the forthcoming Creative Clusters conference  ..."},{"id":"72","date_start":"December 16, 2003","title":"A Theatre Building Boom in India is Imminent","photo":"\/files\/news_items\/news_129.jpg","body":"by Iain Mackintosh  <p>[<i>An Indian theatre building boom is about to start, reports Theatre Projects Consultants' Director, <b>Iain Mackintosh<\/b>. Fresh back from Mumbai where he gave the keynote address to open the conference, Making Spaces for Theatre, held at the <b>Prithvi Theatre, Mumbai<\/b>.<\/i>]  <\/p><p>India has no shortage of actors and playrights working in English as well as in many of the languages of the sub-continent. There are too many grandiose auditoriums, some built for the Tagore Centenary in 1961, others more recently by universities and state governments who believe that big is beautiful. What they lack are the vital playhouses.  <\/p><p><img src=\"\/files\/news\/people\/india.jpg\" mce_src=\"\/files\/news\/people\/india.jpg\" alt=\"\" align=\"absmiddle\" border=\"\" height=\"219\" hspace=\"\" vspace=\"\" width=\"325\"> <br><i>Iain Mackintosh at the Mumbai National Theatre site<\/i>  <\/p><p>The new generation of Indian theatres will be quite unlike the palaces of China and the Gulf where star architects are hired to celebrate the arrival of a city or country on the world's stage. India needs more simple playhouses which also work for dance and which hold no more than 300 to 500: proscenium arch theatres, thrust stages and one space theatres. A few excellent theatres, including those of B.S. Bhooshan in the southern state of Karnataka and in Mumbai itself, have signposted the way.  <\/p><p>The conference, which was well attended by architects, directors and academics, was held at the 300-seat Prithvi Theatre at the close of its annual November Festival of new work. The Prithvi was celebrating its 25th birthday. The late <b>Jennifer Kendal<\/b>, elder sister of actress, Felicity Kendal, and daughter of Shakespeare Wallah actor\/manager Geoffrey Kendal, took architect <b>Ved Segan<\/b> to Britain where the recently-opened Young Vic proved an inspiration.  This pedigree has been a factor in the enduring success of what is India's best-loved playhouse.  <\/p><p>India's new generation of theatres will be designed for Indian directors by Indian architects, perhaps with help from engineers, theatre consultants and acousticians who can contribute their experience of theatre building. Britain can also help by showing its new theatres to young architects, including <b>Himanshu Burte<\/b> who, with actor\/director <b>Atul Kumar<\/b>, organised the conference so efficiently. For most of India a 'modern' theatre is single tier, fan shaped auditorium or a characterless 'black box'.  This is ironic since for twenty five years Britain has turned away from such souless cinema-like theatres, where the audience is passive, to courtyard theatres and to studios with carefully calculated architectual character which raise the awareness in the audience.  <\/p><p>There are also plans to create an all-Indian association which links architects, stage designers, directors and academics and which will be modelled loosely on Britain's Association of British Theatre Technicians and America's United States Institute for Theater Technology. This will allow India to join the Organisation International of Scenographers, Technicians and Architects and to participate in 2007 in the Prague Quadrennial of Scenography and Theatre Archiecture.  <\/p><p>Another agenda that arose from the conference is an international initiative on the restoration and use of historic theatres. In India there are two distinct groups. First, there are the <b>Kuttampalams<\/b>, temple theatres in the southern state of Kerala, where the 2000 year old tradition of <b>Kathakali<\/b> dance drama is very much alive, with new works being constantly added to the repertoire.  Second are the Raj Theatres from 1880 to 1920, many of which have been converted into Bollywood cinemas, but some of which survive magnificently, such as the Gaiety, Simla which is being restored and the wonderful listed Royal Opera House of Mumbai of 1909 which stands tantalisingly empty on a good site.  <\/p>","desc":"by Iain Mackintosh  [An Indian theatre building boom is about to start, reports Theatre Projects Consultants' Director, Iain Mackintosh. Fresh back from Mumbai where he gave the  ..."},{"id":"65","date_start":"April 30, 2003","title":"TPC Given 2003 EDDY Award","photo":"\/files\/news_items\/eddy-thumb.jpg","body":"Entertainment Design magazine publisher, Jacqueline Tien, and editor, David Johnson, along with senior editorial staff have announced that a 2003 EDDY Award will be presented to Theatre Projects Consultants for \"forty-five years of design excellence.\"\r\n\r\n\r\n\r\n<p>ED, the premiere publication covering entertainment design and technology will present the award at the 11th Annual Entertainment Design Awards ceremony at John Jay College Theatre in New York City on Friday, June 27th at 8:30 PM.  \r\n\r\n<\/p><p>Theatre Projects founder and chairman, <a href=\"\/people\/leadership\/profile\/26\" title=\"Richard Pilbrow\" target=\"_blank\" mce_href=\"\/people\/leadership\/profile\/26\">Richard Pilbrow<\/a>, said, \"We are extremely honored to receive this EDDY Award.  For 45 years our team has worked with many artists and architects to create theatres that resonate for their audiences.  This award is for all who've contributed along the way.\"\r\n\r\n<\/p><p>Other 2003 EDDY Award recipients will include set designer, John Lee Beatty; projection designer, Elaine McCarthy; sound designer, Dan Moses Schreier; production electrician, Mike Lo Bue, and Mary Zimmerman's design team of Dan Ostling, Mara Blumenfeld and T. J. Gerckens.  There will also be special awards for sound, lighting, projection, and staging products.\r\n\r\n<\/p><br>","desc":"Entertainment Design magazine publisher, Jacqueline Tien, and editor, David Johnson, along with senior editorial staff have announced that a 2003 EDDY Award will be presented to  ..."},{"id":"43","date_start":"August 13, 2002","title":"John Coyne wins the Connecticut Critic's Award for set design","photo":"\/files\/news_items\/news_90.jpg","body":"<p><a href=\"\/people\/leadership\/profile\/83\" title=\"John Coyne\" target=\"_blank\" mce_href=\"\/people\/leadership\/profile\/83\">John Coyne<\/a> of Theatre Projects Consultants has been given the Connecticut Critic's Award for set design for a production of <i>You Never Can Tell<\/i> by George Shaw for The Yale Rep directed by Stan Wojewodski.  The lighting designer was Steve Strawbridge and costume designer was Catherine Roth. <\/p><p>Maximizing every inch of the Yale Rep stage and fly loft, the sets were three complete scenes from a seaside resort in Great Britain at the turn of the century depicting a shabby dentist's office, a resort hotel dining terrace, and a hotel conservatory - all with a view of the sea. <\/p>","desc":"John Coyne of Theatre Projects Consultants has been given the Connecticut Critic's Award for set design for a production of You Never Can Tell by George Shaw for The Yale Rep  ..."},{"id":"34","date_start":"June 28, 2002","title":"Queen's Award for Enterprise","photo":"\/files\/news_items\/news_76.jpg","body":"<p>'The Queen has been graciously pleased to approve the \r\nPrime Minister's\r\nrecommendation that a Queen's Award for Enterprise in the \r\nInternational\r\nTrade category should be conferred upon your business'<\/p><p>On 11th June 2002, Theatre Projects Consultants held a \r\nCelebration Party at  the Royal Academy of Dramatic Art' s \r\nVanbrugh Theatre in London, at which <a href=\"\/people\/leadership\/profile\/26\" title=\"Richard Pilbrow\" target=\"_blank\" mce_href=\"\/people\/leadership\/profile\/26\">Richard Pilbrow<\/a> received \r\non behalf of the company this prestigious award from Her \r\nMajesty's representative, Major C.J. Winstanley, representing the \r\nLord Lieutenant of the County of London.\r\n\r\n<\/p><center>\r\n<\/center>\r\n\r\n<p>The party was attended by over 200 guests, many TP \r\nstaffers, both past and present, together with many leaders of \r\nthe theatre and architectural professionals. The event included the formal presentation \r\nfollowed by dancing on the stage to a live band and the quaffing \r\nof much champage.\r\n\r\n<\/p><p>Founded in 1957 by Chairman <a href=\"\/people\/leadership\/profile\/26\" title=\"Richard Pilbrow\" target=\"_blank\" mce_href=\"\/people\/leadership\/profile\/26\">Richard Pilbrow<\/a>, TPC is today \r\none of the world's leading firms consulting on the design and \r\nplanning of theatres, concert halls, opera houses and arts \r\ncentres.\r\n\r\n<\/p><p>UK projects have included the <a href=\"\/projects\/item\/*63\" mce_href=\"\/projects\/item\/*63\" class=\"lightwindow\" params=\"lightwindow_width=820,lightwindow_height=600,lightwindow_type=external\">Glyndebourne Opera House<\/a>, London's renovated <a href=\"\/projects\/item\/*119\" mce_href=\"\/projects\/item\/*119\" class=\"lightwindow\" params=\"lightwindow_width=820,lightwindow_height=600,lightwindow_type=external\">Royal Court Theatre<\/a>, <a href=\"\/projects\/item\/*10\" mce_href=\"\/projects\/item\/*10\" class=\"lightwindow\" params=\"lightwindow_width=820,lightwindow_height=600,lightwindow_type=external\">Royal Academy of Dramatic Art<\/a>, and the <a href=\"\/projects\/item\/*48\" mce_href=\"\/projects\/item\/*48\" class=\"lightwindow\" params=\"lightwindow_width=820,lightwindow_height=600,lightwindow_type=external\">National Theatre<\/a> on London's South Bank. Current \r\nUK projects include <a href=\"\/projects\/item\/*11\" class=\"lightwindow\" params=\"lightwindow_width=820,lightwindow_height=600,lightwindow_type=external\">The Sage Gateshead<\/a> with Sir \r\nNorman Foster, and a 350-seat theatre in London, for the <a href=\"\/projects\/item\/*144\" class=\"lightwindow\" params=\"lightwindow_width=820,lightwindow_height=600,lightwindow_type=external\">Unicorn Children's Centre<\/a>.\r\n\r\n<\/p><p>Major projects in the Far East include: the Government of \r\nSingapore's new performing arts centre - <a href=\"\/projects\/item\/*5\" class=\"lightwindow\" params=\"lightwindow_width=820,lightwindow_height=600,lightwindow_type=external\">Esplanade - Theatres on the Bay<\/a>, which includes a 2,000-seat lyric theatre, \r\n1,800-seat concert hall and smaller performance spaces.  In \r\nEurope Norway's <a href=\"\/projects\/item\/*8\" class=\"lightwindow\" params=\"lightwindow_width=820,lightwindow_height=600,lightwindow_type=external\">National Opera House<\/a> &mdash; to be built on Oslo's \r\nwaterfront for Den Norske Opera &mdash; is in design.\r\n\r\n<\/p><p>In the United States one of TPC's latest designs - the 3,500-\r\nseat <a href=\"\/projects\/item\/*82\" class=\"lightwindow\" params=\"lightwindow_width=820,lightwindow_height=600,lightwindow_type=external\">Kodak Theatre<\/a> in Hollywood, for the Academy Award's \r\nOscar\u00c2\u00ae ceremonies, was seen on television by over a billion \r\npeople on 24 March. Other recent projects in the USA include the \r\n<a href=\"\/projects\/item\/*79\" class=\"lightwindow\" params=\"lightwindow_width=820,lightwindow_height=600,lightwindow_type=external\">Kimmel Center<\/a>, home of the Philadelphia Orchestra, and the \r\n$120 million arts centre for the <a href=\"\/projects\/item\/*141\" class=\"lightwindow\" params=\"lightwindow_width=820,lightwindow_height=600,lightwindow_type=external\">University of Maryland<\/a>. Projects in \r\ndesign include the <a href=\"\/projects\/item\/*3\" class=\"lightwindow\" params=\"lightwindow_width=820,lightwindow_height=600,lightwindow_type=external\">Walt Disney Concert Hall<\/a> in Los Angeles \r\n(architect Frank Gehry), the <a href=\"\/projects\/item\/*9\" class=\"lightwindow\" params=\"lightwindow_width=820,lightwindow_height=600,lightwindow_type=external\">Overture Center<\/a> in Madison, \r\nWisconsin (Cesar Pelli), the Dallas Centre for the Performing \r\nArts (Sir Norman Foster and Rem Koolhaas), the Metropolitan \r\nKansas City Performing Arts Centre (Moshe Safdie) and many \r\nothers.\r\n\r\n<\/p><p><a href=\"\/people\/leadership\/profile\/26\" title=\"Richard Pilbrow\" target=\"_blank\" mce_href=\"\/people\/leadership\/profile\/26\">Richard Pilbrow<\/a>, Chairman of Theatre Projects \r\nConsultants, said: \r\n'This a great honour for all those members of the 'Theatre \r\nProjects Family' world-wide -  both past and present. So many \r\nindividuals have worked with great dedication to make TP what it \r\nis today. We thank you all, as well as those architects, arts \r\ngroups and clients who've given us such opportunities. This \r\naward is for you all.'\r\n\r\n\t\t\t\t\t\t<\/p>","desc":"'The Queen has been graciously pleased to approve the \r\nPrime Minister's\r\nrecommendation that a Queen's Award for Enterprise in the \r\nInternational\r\nTrade category should be  ..."},{"id":"16","date_start":"March 26, 2001","title":"USITT Honors new Fellow","photo":"\/files\/news_items\/news_41.jpg","body":"The United States Institute of Theatre Technology at their annual conference in Long Beach honored <a href=\"\/people\/leadership\/profile\/26\" title=\"Richard Pilbrow\" target=\"_blank\" mce_href=\"\/people\/leadership\/profile\/26\">Richard Pilbrow<\/a> \"for outstanding contribution to the theatre and service to the Institute\" and elected him a Fellow of the Institute.","desc":"The United States Institute of Theatre Technology at their annual conference in Long Beach honored Richard Pilbrow \"for outstanding contribution to the theatre and service to the  ..."}],"total":"52","pages":4,"current":0}
